THE ACADEMIC HACK.

Writings by Michael Sicinski

 

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I. The Common Moviegoer

 

Films Seen 2010

New Releases Seen 2010 (organized by rating)

Reviews of New Releases 2010 (by title)

------Jan

NYC Releases Seen 2010

 

Films Seen 2009

New Releases Seen 2009

Reviews of New Releases 2009 (by title)

-------Jan / Feb / Mar / Apr / May / Jun / Jul / Aug / Sep / Oct / Nov / Dec

Selections from the 2009 Toronto International Film Festival (although I didn't go)

2009 Cinema Arts Festival Houston

2009 New York Film Festival / Views From the Avant-Garde ("The Home Game")

2009 Images Festival

NYC Releases Seen 2009

 

Films Seen 2008

New Releases Seen 2008

Reviews of New Releases 2008 (by title)

         Jan / Feb / Mar / Apr / May / Jun / Jul / Aug / Sep / Oct / Nov / Dec

2008 Toronto International Film Festival

Selections from 2008 NYFF Views from the Avant-Garde

NYC Releases Seen 2008

2008 Top Ten

 

Films Seen 2007

New Releases Seen 2007

Reviews of New Releases 2007 (by title)

         Jan / Feb / Mar / Apr / May / Jun / Jul / Aug / Sep / Oct / Nov / Dec

2007 Toronto International Film Festival Semi-Actual Retroactively Constructed Pseudo-Coverage

2007 New York Film Festival "Views from the Avant-Garde"

2007 Syracuse International Film and Video Festival

2007 Top Nineteen

 

2006 / 2005/ 2004 / 2003 / 2002 / 2001 material

 

Nothing but Top Ten Lists (in progress - 1963-72; 1974-2006; 2006 updated / corrected)

Notes on Older Films

 

II. Lines of Light (a-g film)

 

-The trypp is a bit longer this time in Ben Russell's astonishing avant-ethnography Let Each One Go Where He May (for Cinema Scope)

-Canada's great film diarist Philip Hoffman goes the distance with All Fall Down (for Cinema Scope)

-In an embarrasing gaffe, I misidentified Louise Bourque as a Quebecer. I suck. But here's the Images Festival catalogue piece anyway.

-Set adrift on memory blitz by Jennifer Reeves's When It Was Blue (for Cinema Scope)

-Any way you splice it, Craig Baldwin kicks out the jams in Mock Up on Mu (reprinted from Cinema Scope)

-a lengthy preview piece about TIFF's Wavelengths 2008 edition (for GreenCine Daily)

-You've probably been hearing a lot about Michael Robinson lately, and with good reason (for Cinema Scope)

-1, 2, 3, 4, tell me that you love Views from the Avant-Garde more. (for GreenCine Daily)

-In L.A., at the corner of Roehr and Halsted, you'll find William E. Jones.

-I was perplexed and even frightened by two recent digital works by Phil Solomon (reprinted from Cinema Scope)

-John Gianvito honors the comrades who came before us (for Cinema Scope)

-nobody converts lenten light or dilates time quite like Lynn Marie Kirby (reprinted from Cinema Scope)

-two dispatches from Views 06, one on the oldies and one on the newies

-short pieces on Baillie's Castro Street and Gehr's Side / Walk / Shuttle for the Girish Avant-Garde Blog-a-Thon

-I interview Scott MacDonald about the Critical Cinema series (for Cinema Scope)

-excerpt from a still-under-revision, rife-with-error analysis of Ernie Gehr's Signal: Germany on the Air

-a few chunks of a ponderous wall of text attempting to grapple with Ken Jacobs's Bitemporal Vision: The Sea

-excerpts from a discussion about Scott Stark's NOEMA (published in the anthology Porn Studies)

-an open letter of apology to Caveh Zahedi for a bad decision while serving on the SFIFF jury

-an unpublished (and unpublishable) review of Catherine Russell's book Experimental Ethnography

-the latest revision of my paper on Snow's Wavelength, Heidegger and Lefebvre (published in Qui Parle)

-an apologetic email sent to my students, summarizing a lecture on Baldwin's Tribulation 99 and Kubelka's Unsere Afrikareise

-a rather psychoanalytically burdened consideration of some expanded-cinema work by Valie Export (published, remarkably, in Discourse)

- "The Fixed Frame" (latest revision and expansion -- warning, deadly dull)

 

III. The Funky Diegesis (narrative film)

 

-I justify my lax, shitty parenting with some discussion of Fantastic Mr. Fox and Where the Wild Things Are (for Cinema Scope)

-Join me, David McDougall, Craig Keller, and Ignatiy Vishnevetky as we go nuts on Alejandro Adams' Canary (for The Auteurs)

-Soderbergh x2! I go guerilla on Che and ponder the deep arschenhaller of The Girlfriend Experience (for Cargo)

-If Prof. Brickell is correct that "philosophy is the talk on the cereal box," Examined Life brings the C.W. Post-Structuralism (for Cineaste)

-Once a soldier in God's Army, Richard Dutcher will fight no more forever (for Cinema Scope)

-It is not always a heavenly romance when two become one. Just ask John Woo's Red Cliff (for Nashville Scene)

-It took me awhile to realize just how awesome Christian Petzold is. (I can be a little thick sometimes.) (for Cinema Scope)

-It's a doggone shame Wendy and Lucy isn't a bit more careful with its class politics (for Cineaste)

-A discussion of the pros and cons of Van Sant's Milk relative to the Obama transitional moment (for Cargo)

-Take the Mulligan and leave the rest! An Education in mediocre filmmaking (for The Nashville Scene)

-Emperor = naked. Tommy Wiseau = sucks. I arrive to kill all joy in The Room (for The Nashville Scene)

-Three old Cineaste reviews I'd frankly forgotten about: Lady Chatterley, The Duchess of Langeais and The Notorious Bettie Page

-(plus an even moldier oldie from Cinema Scope: Svankmajer's Lunacy)

-Who here loves TIFF coverage? Yeah, me too! So here's some for ya! One, two, three! (for GreenCine Daily)

-Shin Sang-ok's A Flower in Hell is crazy enough to spirit you away to the other side (for Moving Image Source)

-Alexandra . . . Why? Sokurov tries to puzzle out the Chechen War, with mixed results (for Cinema Scope)

-a rather convoluted attempt at an introduction to the films of Abderrahmane Sissako (for Cinema Scope)

-I talk some about Ousmane Sembčne (for The Nashville Scene)

-Spike Lee knows what it means to miss New Orleans (for Cineaste)

-I was hating Crash when hating Crash wasn't cool (for Cineaste)

-a review of the mock-doc book F is for Phony (for Cineaste)

-Hong Sang-soo's postmodern gamesmanship hits new levels of existential horror in Tale of Cinema (for Cinema Scope)

-sinking my teeth into Land of the Dead (for Cinema Scope)

-wildly enthusing over Kung Fu Hustle with some cross-referencing jujitsu (for The Nashville Scene)

-TIFF wrap-up 2006!!! (for GreenCine Daily)

-"How Alain Resnais Beat the Numbers Game" (tedious excursus on the hazards of the 1-10 scale and Not on the Lips)

-a Deleuzian reading of Bruno Dumont's L'humanité with some odd digressions

-an abortive stab at Valie Export's The Practice of Love, read aloud in Carlisle, PA

-bold, rather shaky claims for radical bisexuality in Chuck & Buck

-an interview with the directors of the documentary Derrida

-a sample from a long-ass discussion of temporal frameworks in The Shining

 

IV. A Hundred Flowers in Bloom (web links)  

 

V. Viewer Mail (contact me here)

 

VI. Talk Was Never Cheaper (my Twitter feed)      

NOTE: I am the sole copyright holder of all written materials published on this site.  Materials previously published elsewhere which are reprinted, partially or in full, on this site are under copyright through agreement between myself and the original publishers.  In other words, don't plagiarize me.  I am not a big proponent of "intellectual property" and I am actually in favor of a certain amount of theft.  But if you are going to steal: (a) steal from better than me; and (b) steal creatively.  Also, despite my institutional affiliations, I am the sole party responsible for material posted on this website.  Also, note to family members -- sorry about all the swearing.