Writings by Michael Sicinski


And now, the new year's clean-up...


I. The Common Moviegoer

(the current rankings; recent reviews and reports)


A General Introduction to What Goes On Here (minor updates, 11/8/15)


Films Seen 2016

New Releases Seen 2016 (organized by rating)


Films Seen 2015

New Releases Seen 2015 (organized by rating)

2015 Capsule Reviews on Letterboxd (COMING UP: a major year-end catch-up)


2015 NYFF Projections coverage for MUBI

2015 TIFF Wavelengths preview for MUBI: Experimental Short Films

2015 TIFF Wavelengths coverage for MUBI: Feature Films

2015 TIFF capsules for Cinema Scope

2015 Top Twenty-Five (with review links coming soon)


2014 / 2013 / 2012 / 2011 / 2010 / 2009 / 2008 / 2007 / 2006 / 2005/ 2004 / 2003 / 2002 / 2001 material


Nothing but Top Ten Lists (in progress - 1944-2012; added: partial list for 1944)

Notes on Older Films (added: The Birth of a Nation; Dr. Mabuse the Gambler; To the Left of the Father)


II. Lines of Light

(experimental film and video, by maker; festival reports)


- BRUCE BAILLIE 1 (Quick Billy, for Fandor)

- BRUCE BAILLIE 2 (for the Nashville Scene)

- CRAIG BALDWIN (interview about Mock Up on Mu, for Cinema Scope)

- STEPHANIE BARBER (shipfilm and Dogs, for Fandor)

- ROBERT BEAVERS (for the Nashville Scene)

- JAMES BENNING (RR, for the Nashville Scene)

- LOUISE BOURQUE (for the Images Festival - essay on p. 41)

- STAN BRAKHAGE (for the Nashville Scene)

- STEPHEN BROOMER (Brébeuf, for Broomer essay collection -- NOW UP)

- SHIRLEY CLARKE (The Connection, for the Nashville Scene)

- NATHANIEL DORSKY (The Return, for Mubi)

- DUKE & BATTERSBY (Here Is Everything, Hallwalls exhibition)

- HEINZ EMIGHOLZ (Two Museums, Reverse Shot)

- KEVIN JEROME EVERSON (Park Lanes, for Cinema Scope)

- VALIE EXPORT (Touch Cinema and counter-surveillance, for Discourse)

- HARUN FAROCKI (obituary, for

- DOMINIC GAGNON (of the North, for Reverse Shot)

- ROBERT GARDNER (Forest of Bliss, for Fandor)

- DAVID GATTEN (mostly on the Byrd films, for Cinema Scope)

- JOHN GIANVITO (interview about Profit Motive and the Whispering Wind, for Cinema Scope)

- VINCENT GRENIER (for Moving Image Source)

- KARISSA HAHN (for Fandor)

- CHRISTOPHER HARRIS (for Cinema Scope)

- PHILIP HOFFMAN (All Fall Down, for Cinema Scope)

- CLIVE HOLDEN (Trains of Winnipeg roundtable, for Mubi -- Sorry, the electronic transcript is unusable.)

- MIKE HOOLBOOM (Public Lighting, Hallwalls exhibition)

- KEN JACOBS (on recent 3D films, for Mubi)

- DEREK JARMAN (Wittgenstein, for Fandor)

- WILLIAM E. JONES (interview about Tearoom, for Cinema Scope)

- JON JOST (Speaking Directly, for the Nashville Scene)

- SHAMBHAVI KAUL (for Cinema Scope)

- PATRICK KEILLER (Robinson in Ruins, for Cinema Scope)

- MARJORIE KELLER (Misconception, for Fandor)

- CASPAR KELLY ("Too Many Cooks," Storified tweets)

- JEAN-PAUL KELLY (Figure-ground, A Minimal Difference, Movement in Squares, for Cinema Scope)

- LYNN MARIE KIRBY (the Latent Light Excavation series, for Cinema Scope)

- GABE KLINGER (Double Play: James Benning and Rick Linklater, for Fandor)

- HARMONY KORINE (Trash Humpers with Mike D'Angelo, for the Nashville Scene)

- GEORGE KUCHAR (The Devil's Cleavage / Hold Me While I'm Naked, for the Nashville Scene)

- MARTINA KUDLÁCEK (Fragments of Kubelka, for Fandor)

- OWEN LAND (Dialogues, for Cinema Scope)

- DANI LEVENTHAL 1 (Hallwalls exhibition)

- DANI LEVENTHAL 2 (Tin Pressed)

- ROSE LOWDER (Bouquets 11-20, for Mubi)

- JODIE MACK (for Fandor)

- MARTÍN / PERANSON (La Última Película, for the Nashville Scene)

- BILL MORRISON (The Great Flood, for the Nashville Scene)

- JENNI OLSON (The Royal Road, for Cinema Scope -- NOW UP)

- PETER BO RAPPMUND (Topophilia, for Cinema Scope -- NOW UP)

- JENNIFER TODD REEVES (When It Was Blue, for Cinema Scope)

- NICOLAS REY (autrement, la Molussie, for Cinema Scope

- BEN RIVERS 1 (Slow Action, for Gallery TWP / TIFF)

- BEN RIVERS 2 (his short films, for Cinema Scope) (also available in Czech)

- RIVERS / RUSSELL (interview about A Spell to Ward Off the Darkness, for Cinema Scope)

- MICHAEL ROBINSON (for Cinema Scope)

- JAY ROSENBLATT (Phantom Limb, for Fandor)

- BEN RUSSELL (Let Each One Go Where He May, for Cinema Scope)

- LYNNE SACHS (for the Nashville Scene)

- SYLVIA SCHEDELBAUER (for Cinema Scope)

- P. ADAMS SITNEY (curated program, for the Nashville Scene)

- MICHAEL SNOW (Wavelength and Heidegger, for Qui Parle)

- PHIL SOLOMON (Crossroad and Rehearsals for Retirement, for Cinema Scope)

- ERIKO SONODA (for Cinema Scope)

- SCOTT STARK (The Realist, for Mubi)

- RON VAWTER (Roy Cohn / Jack Smith, for Fandor)

- PETER WATKINS 1 (The Journey, for Fandor)

- PETER WATKINS 2 (The Freethinker, for Fandor)

- CAVEH ZAHEDI (In the Bathtub of the World and festival politics)


- Top Experimental Films of 2014 (for Fandor)

- 2014: The Deaths of Michael Brown and Eric Garner - Documents of Barbarism (for Mubi)

- 2014 TIFF Wavelengths Preview (for Mubi)

- 2014 Crossroads Film Festival (for Fandor)

- 2013 TIFF Wavelengths Preview (for Mubi)

- 2013 TIFF Wavelengths: Three Masters (for The Dissolve)

- 2013 Images Festival (for Cinema Scope)

- 2013: The Wrong Man - In Memory of Sunil Tripathi (for Cargo) (NOW UP)

- 2012 Ann Arbor Film Festival (for Mubi)

- 2011 TIFF Wavelengths Preview (for Mubi)

- 2010 TIFF Wavelengths Preview (for Mubi)

- 2009 TIFF Wavelengths Preview: Part One and Part Two (for Mubi)



III. The Funky Diegesis

(longer pieces on narrative cinema, documentaries, &c.)



- WES ANDERSON - Fantastic Mr. Fox (cs)

- MICHAEL APTED - The"Up" documentaries (fandor)

- THOMAS ARSLAN 1 - In The Shaodws (reverse shot)

- THOMAS ARSLAN 2 - Gold (Fandor)

- BERTRAND BONELLO - overview (reverse shot)

- BONG JOON-HO - Snowpiercer (cs)

- ANDREW BUJALSKI - Computer Chess (nash)

- JANE CAMPION - Top of the Lake (cs)

- DENIS CÔTÉ - Vic + Flo Saw a Bear (cs)

- TERENCE DAVIES - The Deep Blue Sea (cs)

- MANOEL DE OLIVEIRA 1 - The Strange Case of Angelica (cs)

- LAV DIAZ - Norte, the End of History (fandor)

- BRUNO DUMONT 1 - Li'l Quinquin (cs)

- BRUNO DUMONT 2 - Camille Claudel 1915 (cs)

- RICHARD DUTCHER - overview (cs)

- ELOY ENCISO - Arraianos (reverse shot) (NOW UP)

- ASGHAR FARHADI - A Separation (cs)

- ALEKSEI GERMAN - Hard to Be a God (reverse shot)

- NIKOLAUS GEYRHALTER - Abendland and Danube Hospital (mubi)

- ALAIN GUIRAUDIE - overview (thessaloniki film festival) (still trying to find this...)

- DEBRA GRANIK - Winter's Bone (cargo) (NOW UP)

- HAMAGUCHI RYUSUKE - Happy Hour (cs) (NOW UP)

- MAHAMET-SALEH HAROUN - A Screaming Man (cs)

- HAL HARTLEY - interview about Ned Rifle (filmmaker mag)

- AMY HECKERLING - Vamps (cs)


- CHRISTOPH HOCHHÄUSLER - The City Below (reverse shot)

- SPIKE JONZE - Where the Wild Things Are (cs)

- AKI KAURISMÄKI - Le Havre (criterion)

- ABBAS KIAROSTAMI - Certified Copy (mubi)

- PABLO LARRAÍN - No (nash)

- LECH MAJEWSKI - The Mill and the Cross (nash)

- GABRIEL MASCARO - August Winds (reverse shot)

- NICOLÁS PEREDA - overview (reverse shot)

- ALEX ROSS PERRY - interview about The Color Wheel (cs)

- JOAQUIM PINTO - What Now? Remind Me (fandor)

- LAURA POITRAS - The Oath (nash)

- MATTHEW PORTERFIELD - Putty Hill (cargo) (NOW UP)

- CRISTI PUIU 1 - Aurora (fandor)

- CRISTI PUIU 2 - Three Interpretation Exercises (fandor)

- MOHAMMAD RASOULOF - overview (cs)


- FRANK V. ROSS - Tiger Tail in Blue (cs) (NOW UP)

- DAN SALLITT - The Unspeakable Act (cs) (NOW UP)


- ALEXANDER SOKUROV - Alexandra (cs)

- PAOLO SORRENTINO - overview (cs)

- LARS VON TRIER - Nymphomaniac (cs)

- THE WACHOWSKIS - Cloud Atlas (cs)

- KÔJI WAKAMATSU - United Red Army (fandor)

- FREDERICK WISEMAN - At Berkeley (fandor)

- YING LIANG - When Night Falls (cs)

- RAMON ZÜRCHER - The Strange Little Cat (cs)

- ANDREI ZVYAGINTSEV - Elena (reverse shot)


- All my work for Cinema Scope

- All my work for Mubi

- All my work for Fandor

- All my work for the Nashville Scene



IV. A Hundred Flowers in Bloom (web links)  


V. Talk Was Never Cheaper (my Twitter feed)


VI. Viewer Mail (contact me here)



NOTE: I am the sole copyright holder of all written materials published on this site.  Materials previously published elsewhere which are reprinted, partially or in full, on this site are under copyright through agreement between myself and the original publishers.  In other words, don't plagiarize me.  I am not a big proponent of "intellectual property" and I am actually in favor of a certain amount of theft.  But if you are going to steal: (a) steal from better than me; and (b) steal creatively.  Also, despite my institutional affiliations, I am the sole party responsible for material posted on this website.  Also, note to family members -- sorry about all the swearing.