THE ACADEMIC HACK.

Writings by Michael Sicinski

Muck Pike Fence.

I. The Common Moviegoer

(the current rankings; recent reviews and reports)

 

A General Introduction to What Goes On Here

 

Films Seen 2016

New Releases Seen 2016 (organized by rating)

2016 Reviews on Letterboxd (NEW:Sully [5]; Yourself and Yours [6]; The Academy of Muses [4]; The Girl on the Train [5])

 

2016 TIFF Wavelengths coverage for MUBI: Experimental Short Films

2016 TIFF Wavelengths coverage for MUBI: Feature Films

2016 TIFF capsules for Cinema Scope

2016 MMI First Look: "A Matter of Visibility" report for MUBI

2016 Ann Arbor Film Festival / 2016 SF Crossroads Festival report for Fandor

 

2016 Top Ten in progress (added to premieres: Staying Vertical)

 

Films Seen 2015

New Releases Seen 2015 (organized by rating)

2015 NYFF Projections coverage for MUBI

2015 TIFF Wavelengths preview for MUBI: Experimental Short Films

2015 TIFF Wavelengths coverage for MUBI: Feature Films

2015 TIFF capsules for Cinema Scope

2015 Top Twenty-Five (with review links coming soon)

 

2014 / 2013 / 2012 / 2011 / 2010 / 2009 / 2008 / 2007 / 2006 / 2005/ 2004 / 2003 / 2002 / 2001 material

 

Nothing but Top Ten Lists (in progress - 1940-2012; added: Boston Fire, 1979)

Notes on Older Films (more to come)

 

II. Lines of Light

(experimental film and video, by maker; festival reports)

 

- LAURIE ANDERSON (Heart of a Dog, for the Nashville Scene)

- BRUCE BAILLIE 1 (Quick Billy, for Fandor)

- BRUCE BAILLIE 2 (for the Nashville Scene)

- CRAIG BALDWIN (interview about Mock Up on Mu, for Cinema Scope)

- STEPHANIE BARBER (shipfilm and Dogs, for Fandor)

- ROBERT BEAVERS (for the Nashville Scene)

- JAMES BENNING (RR, for the Nashville Scene)

- LOUISE BOURQUE (for the Images Festival - essay on p. 41)

- STAN BRAKHAGE (for the Nashville Scene)

- STEPHEN BROOMER (Brébeuf, for Broomer essay collection)

- SHIRLEY CLARKE (The Connection, for the Nashville Scene)

- NATHANIEL DORSKY (The Return, for Mubi)

- DUKE & BATTERSBY (Here Is Everything, Hallwalls exhibition)

- HEINZ EMIGHOLZ (Two Museums, Reverse Shot)

- KEVIN JEROME EVERSON (Park Lanes, for Cinema Scope)

- VALIE EXPORT (Touch Cinema and counter-surveillance, for Discourse)

- HARUN FAROCKI (obituary, for RogerEbert.com)

- LORI FELKER (Discontinuity, for Fandor)

- DOMINIC GAGNON (of the North, for Reverse Shot)

- ROBERT GARDNER (Forest of Bliss, for Fandor)

- DAVID GATTEN (mostly on the Byrd films, for Cinema Scope)

- JOHN GIANVITO (interview about Profit Motive and the Whispering Wind, for Cinema Scope)

- VINCENT GRENIER (for Moving Image Source)

- KARISSA HAHN (for Fandor)

- CHRISTOPHER HARRIS (for Cinema Scope)

- PHILIP HOFFMAN (All Fall Down, for Cinema Scope)

- MIKE HOOLBOOM (Public Lighting, Hallwalls exhibition)

- PETER HUTTON (obituary / career span, for Cinema Scope) -- NEW

- KEN JACOBS (on recent 3D films, for Mubi)

- DEREK JARMAN (Wittgenstein, for Fandor)

- WILLIAM E. JONES (interview about Tearoom, for Cinema Scope)

- JON JOST (Speaking Directly, for the Nashville Scene)

- SHAMBHAVI KAUL (for Cinema Scope)

- PATRICK KEILLER (Robinson in Ruins, for Cinema Scope)

- MARJORIE KELLER (Misconception, for Fandor)

- CASPAR KELLY ("Too Many Cooks," Storified tweets)

- JEAN-PAUL KELLY (Figure-ground, A Minimal Difference, Movement in Squares, for Cinema Scope)

- LYNN MARIE KIRBY (the Latent Light Excavation series, for Cinema Scope)

- GABE KLINGER (Double Play: James Benning and Rick Linklater, for Fandor)

- HARMONY KORINE (Trash Humpers with Mike D'Angelo, for the Nashville Scene)

- GEORGE KUCHAR (The Devil's Cleavage / Hold Me While I'm Naked, for the Nashville Scene)

- MARTINA KUDLÁCEK (Fragments of Kubelka, for Fandor)

- OWEN LAND (Dialogues, for Cinema Scope)

- DANI LEVENTHAL 1 (Hallwalls exhibition)

- DANI LEVENTHAL 2 (Tin Pressed)

- MARK LEWIS (Invention and others, for Cinema Scope)

- ROSE LOWDER (Bouquets 11-20, for Mubi)

- JODIE MACK (for Fandor)

- MARTÍN / PERANSON (La Última Película, for the Nashville Scene)

- BILL MORRISON (The Great Flood, for the Nashville Scene)

- JENNI OLSON (The Royal Road, for Cinema Scope)

- PETER BO RAPPMUND (Topophilia, for Cinema Scope)

- JENNIFER TODD REEVES (When It Was Blue, for Cinema Scope)

- NICOLAS REY (autrement, la Molussie, for Cinema Scope

- BEN RIVERS 1 (Slow Action, for Gallery TWP / TIFF)

- BEN RIVERS 2 (his short films, for Cinema Scope) (also available in Czech)

- RIVERS / RUSSELL (interview about A Spell to Ward Off the Darkness, for Cinema Scope)

- MICHAEL ROBINSON (for Cinema Scope)

- JAY ROSENBLATT (Phantom Limb, for Fandor)

- BEN RUSSELL (Let Each One Go Where He May, for Cinema Scope)

- LYNNE SACHS (for the Nashville Scene)

- SYLVIA SCHEDELBAUER (for Cinema Scope)

- P. ADAMS SITNEY (curated program, for the Nashville Scene)

- MICHAEL SNOW (Wavelength and Heidegger, for Qui Parle)

- PHIL SOLOMON (Crossroad and Rehearsals for Retirement, for Cinema Scope)

- ERIKO SONODA (for Cinema Scope)

- SCOTT STARK (The Realist, for Mubi)

- RON VAWTER (Roy Cohn / Jack Smith, for Fandor)

- PETER WATKINS 1 (The Journey, for Fandor)

- PETER WATKINS 2 (The Freethinker, for Fandor)

- CAVEH ZAHEDI (In the Bathtub of the World and festival politics)

 

- Top Experimental Films of 2014 (for Fandor)

- 2014: The Deaths of Michael Brown and Eric Garner - Documents of Barbarism (for Mubi)

- 2014 TIFF Wavelengths Preview (for Mubi)

- 2014 Crossroads Film Festival (for Fandor)

- 2013 TIFF Wavelengths Preview (for Mubi)

- 2013 TIFF Wavelengths: Three Masters (for The Dissolve)

- 2013 Images Festival (for Cinema Scope)

- 2013: The Wrong Man - In Memory of Sunil Tripathi (for Cargo)

- 2012 Ann Arbor Film Festival (for Mubi)

- 2011 TIFF Wavelengths Preview (for Mubi)

- 2010 TIFF Wavelengths Preview (for Mubi)

- 2009 TIFF Wavelengths Preview: Part One and Part Two (for Mubi)

 

 

III. The Funky Diegesis

(longer pieces on narrative cinema, documentaries, &c.)

 

- ALEJANDRO ADAMS 1 - Canary (roundtable for mubi)

- ALEJANDRO ADAMS 2 - Amity (cs)

- WES ANDERSON - Fantastic Mr. Fox (cs)

- MICHAEL APTED - The"Up" documentaries (fandor)

- THOMAS ARSLAN 1 - In The Shadows (reverse shot)

- THOMAS ARSLAN 2 - Gold (fandor)

- BERTRAND BONELLO - overview (reverse shot)

- BONG JOON-HO - Snowpiercer (cs)

- ANDREW BUJALSKI - Computer Chess (nash)

- JANE CAMPION - Top of the Lake (cs)

- DAMIEN CHAZELLE - Guy and Madeline on a Park Bench (nash)

- DENIS CÔTÉ - Vic + Flo Saw a Bear (cs)

- MICHAEL CURTIZ - Mildred Pierce (nash) -

- TERENCE DAVIES - The Deep Blue Sea (cs)

- MANOEL DE OLIVEIRA 1 - The Strange Case of Angelica (cs)

- LAV DIAZ 1 - Norte, the End of History (fandor)

- LAV DIAZ 2 - A Lullaby to the Sorrowful Mystery (cs)

- BRUNO DUMONT 1 - Li'l Quinquin (cs)

- BRUNO DUMONT 2 - Camille Claudel 1915 (cs)

- RICHARD DUTCHER - overview (cs)

- ELOY ENCISO - Arraianos (reverse shot)

- ASGHAR FARHADI - A Separation (cs)

- RAINER WERNER FASSBINDER - World on a Wire (nash)

- PASCALE FERRAN - Lady Chatterly (cineaste)

- ALEKSEI GERMAN - Hard to Be a God (reverse shot)

- NIKOLAUS GEYRHALTER 1 - Abendland and Danube Hospital (mubi)

- NIKOLAUS GEYRHALTER 2 - Homo Sapiens (village voice)

- ALAIN GUIRAUDIE - overview (thessaloniki film festival) [coming soon]

- DEBRA GRANIK - Winter's Bone (cargo)

- HAMAGUCHI RYUSUKE - Happy Hour (cs)

- MAHAMET-SALEH HAROUN - A Screaming Man (cs)

- MARY HARRON - The Notorious Bettie Page (cineaste)

- HAL HARTLEY - interview about Ned Rifle (filmmaker mag)

- TODD HAYNES - Mildred Pierce (nash)

- AMY HECKERLING - Vamps (cs)

- BENJAMIN HEISENBERG - The Robber (cs)

- CHRISTOPH HOCHHÄUSLER - The City Below (reverse shot)

- HONG SANG-SOO - A Tale of Cinema (cs)

- SPIKE JONZE - Where the Wild Things Are (cs)

- MANI KAUL - obituary / Duvidha (cs) - NOW UP

- AKI KAURISMÄKI - Le Havre (criterion) (also available in Greek)

- ABBAS KIAROSTAMI - Certified Copy (mubi)

- HIROKAZU KORE-EDA - Our Little Sister (fandor)

- PABLO LARRAÍN - No (nash)

- MIKE LEIGH - Another Year (nash)

- LECH MAJEWSKI - The Mill and the Cross (nash)

- GABRIEL MASCARO - August Winds (reverse shot)

- NICOLÁS PEREDA - overview (reverse shot)

- ALEX ROSS PERRY - interview about The Color Wheel (cs)

- CHRISTIAN PETZOLD - Jerichow (cs) [coming soon]

- MAURICE PIALAT - A nos amours. (av club)

- JOAQUIM PINTO - What Now? Remind Me (fandor)

- LAURA POITRAS - The Oath (nash)

- MATTHEW PORTERFIELD - Putty Hill (cargo)

- CRISTI PUIU 1 - Aurora (fandor)

- CRISTI PUIU 2 - Three Interpretation Exercises (fandor)

- MOHAMMAD RASOULOF - overview (cs)

- KELLY REICHARDT 1 - Wendy & Lucy (cineaste) [up soon]

- KELLY REICHARDT 2 - River of Grass (av club)

- ALAIN RESNAIS - Wild Grass (nash)

- JACQUES RIVETTE - The Duchess of Langeais (cineaste)

- GIANFRANCO ROSI - Sacro GRA (cs)

- FRANK V. ROSS - Tiger Tail in Blue (cs)

- DAN SALLITT - The Unspeakable Act (cs)

- SHIN SANG-OK - A Flower in Hell (reverse shot)

- ABDERRAHMANE SISSAKO - Bamako (cs)

- ALEXANDER SOKUROV - Alexandra (cs)

- TODD SOLONDZ 1 - Life During Wartime (nash)

- TODD SOLONDZ 2 - Dark Horse (nash)

- TODD SOLONDZ 3 - Wiener-Dog / interview (filmmaker mag)

- PAOLO SORRENTINO - overview (cs)

- JAN SVANKMAJER - Lunacy (cs)

- LARS VON TRIER - Nymphomaniac (cs)

- THE WACHOWSKIS - Cloud Atlas (cs)

- KÔJI WAKAMATSU - United Red Army (fandor)

- FREDERICK WISEMAN - At Berkeley (fandor)

- YASMIN AHMAD - overview (reverse shot)

- YING LIANG - When Night Falls (cs)

- RAMON ZÜRCHER - The Strange Little Cat (cs)

- ANDREI ZVYAGINTSEV - Elena (reverse shot)

 

- All my work for Cinema Scope

- All my work for Mubi

- All my work for Fandor

- All my work for the Nashville Scene

 

 

IV. A Hundred Flowers in Bloom (web links)  

 

V. Viewer Mail (contact me here)

 

     

NOTE: I am the sole copyright holder of all written materials published on this site.  Materials previously published elsewhere which are reprinted, partially or in full, on this site are under copyright through agreement between myself and the original publishers.  In other words, don't plagiarize me.  I am not a big proponent of "intellectual property" and I am actually in favor of a certain amount of theft.  But if you are going to steal: (a) steal from better than me; and (b) steal creatively.  Also, despite my institutional affiliations, I am the sole party responsible for material posted on this website.  Also, note to family members -- sorry about all the swearing.