All films from U.S.A. unless otherwise specified.

(- seen on video; [v] video piece; [s] short, under 30 minutes; [m] medium length, 30-69 min; * grade changed upon repeat viewing; [p-f] film seen prior to festival; [a-f] film seen after the festival)





I’m Going Home (Manoel de Oliveira, France / Portugal) [p-f]

In Praise of Love (Jean-Luc Godard, Switzerland / France)

-Pistol Opera (Seijun Suzuki, Japan)



Distance (Hirokazu Kore-eda, Japan)

Dream Work (For Man Ray) (Peter Tscherkassky, Austria) [s]

Far Away (André Téchiné, France)

Fulltime Killer (Johnnie To and Wai Ka-fai, Hong Kong)

Hell House (George Ratliff) [a-f]

Late Marriage (Dover Kosashvili, Israel / France)

May (Lucky McKee)

One Fine Spring Day (Hur Jin-ho, South Korea)

Spirited Away (Hayao Miyazaki, Japan)

-Vessel Wrestling (Lisa Yu) [s]

Warm Water Under a Red Bridge (Shohei Imamura, Japan) [p-f]



Copy Shop (Virgil Widrich, Austria) [s]

Cotton Candy (Ernie Gehr) [v/m]

Delbaran (Abolfazl Jalili, Iran / Japan)

Derrida (Kirby Dick and Amy Ziering Kofman, U.S. / France) [v]

Elling (Petter Næss, Norway) [a-f]

Failan (Song Sye-sung, South Korea)

Go for Broke (Wang Guangli, China)

Le Grand Tango (Pieter Jan Smit, The Netherlands) [s]

Karmen Geï (Jospeh Gaï Ramaka, Senegal / France / Canada)

The Milk of Human Kindness (Dominique Cabréra, France / Belgium)

Millennium Mambo (Hou Hsiao-hsien, Taiwan / France)

Nights of Constantinople (Orlando Rojas, Cuba)

Oporto of My Childhood (Manoel de Oliveira, Portugal / France) [m]

The Pinochet Case (Patricio Guzmán, France)

Switch Center (Ericka Beckman / Balazs Bela Studio) [s]

To Re-edit The World (David Sherman) [v/m]

The Triumph of Love (Clare Peploe, Italy / U.K.) [a-f]

25 Watts (Juan Pablo Rebella and Pablo Stoll, Uruguay)

-What These Ashes Wanted (Philip Hoffman, Canada) [s]



Asoka (Santosh Sivan, India) [p-f]

Decasia (Bill Morrison)

Going Back Home (Louise Bourque) [s]

I Love Beijing (Ning Ying, China)

Ichi the Killer (Takashi Miike, Japan) [p-f]

The Lady and the Duke (Eric Rohmer, France) [a-f]



Counterfeit Film (Brett Simon) [s] [p-f]*

Daughter From Danang (Gail Dolgin and Vicente Franco)

Dogtown and Z-Boys (Stacy Peralta) [a-f]

Go (Isao Yukisada, Japan)

Happy Times (Zhang Yimou, China) [p-f]

The Inner Tour (Ra’anan Alexandrowicz, Israel)

Last Wedding (Bruce Sweeney, Canada)

Micromoth (Julie Murray) [s]

Musa the Warrior (Kim Sung-Su, South Korea)

The Ruination of Men (Arturo Ripstein, Mexico / Spain)

Secret Ballot (Babak Payami, Iran / Italy) [a-f]

A Taxi For Three (Orlando Lübbert, Chile)

Truly Human (Åke Sandgren, Denmark)

Waterboys (Shinobu Yaguchi, Japan)



All About Lily Chou-Chou (Shunji Iwai, Japan) [a-f]

El Bola (Achero Mañas, Spain)

Brief Crossing (Catherine Breillat, France) [a-f]

CQ (Roman Coppola) [a-f]

Cherish (Finn Taylor) [a-f]

-A Chronicle of Corpses (Andrew Repasky McElhinney)

July Rhapsody (Ann Hui, Hong Kong)

The Man We Want to Hang (Kenneth Anger) [s]

Me Without You (Sandra Goldbacher, U.K.) [a-f]

Photograph of Wind (Lynne Sachs) [s]

Rain (Christine Jeffs, New Zealand)

Rivers and Tides (Thomas Riedelsheimer, Germany)

Vivante (Sandrine Ray, France)



Calling All Cars (Alfonso Alvarez) [s]

Cet amour-lá (Josée Dayan, France)

Hand Eye Coordination (Naomi Uman) [s]

Read My Lips (Jacques Audiard, France)

The Subconscious Art of Graffiti Removal (Matt McCormick) [v/s] [a-f]

Veloma (Marie de Laubier, France)



Crepescule: Pond and Chair (Sandra Davis) [s]

My Wife is an Actress (Yvan Attal, France) [a-f]





Inch’Allah Sunday (Yamina Benguigui, France) (1:15)