SFIFF 2002 AT A
GLANCE
All films from
U.S.A. unless otherwise specified.
(- seen on video;
[v] video piece; [s] short, under 30 minutes; [m] medium length, 30-69 min; *
grade changed upon repeat viewing; [p-f] film seen prior to festival; [a-f]
film seen after the festival)
[10]
[9]
I’m Going Home
(Manoel de Oliveira, France / Portugal) [p-f]
In Praise of Love
(Jean-Luc Godard, Switzerland / France)
-Pistol Opera
(Seijun Suzuki, Japan)
[8]
Distance (Hirokazu
Kore-eda, Japan)
Dream Work (For Man
Ray) (Peter Tscherkassky, Austria) [s]
Far Away (André
Téchiné, France)
Fulltime Killer
(Johnnie To and Wai Ka-fai, Hong Kong)
Hell House (George
Ratliff) [a-f]
Late Marriage (Dover
Kosashvili, Israel / France)
May (Lucky McKee)
One Fine Spring Day
(Hur Jin-ho, South Korea)
Spirited Away (Hayao
Miyazaki, Japan)
-Vessel Wrestling
(Lisa Yu) [s]
Warm Water Under a
Red Bridge (Shohei Imamura, Japan) [p-f]
[7]
Copy Shop (Virgil
Widrich, Austria) [s]
Cotton Candy (Ernie
Gehr) [v/m]
Delbaran (Abolfazl
Jalili, Iran / Japan)
Derrida (Kirby Dick
and Amy Ziering Kofman, U.S. / France) [v]
Elling (Petter Næss,
Norway) [a-f]
Failan (Song
Sye-sung, South Korea)
Go for Broke (Wang
Guangli, China)
Le Grand Tango
(Pieter Jan Smit, The Netherlands) [s]
Karmen Geï (Jospeh
Gaï Ramaka, Senegal / France / Canada)
The Milk of Human
Kindness (Dominique Cabréra, France / Belgium)
Millennium Mambo
(Hou Hsiao-hsien, Taiwan / France)
Nights of
Constantinople (Orlando Rojas, Cuba)
Oporto of My
Childhood (Manoel de Oliveira, Portugal / France) [m]
The Pinochet Case
(Patricio Guzmán, France)
Switch Center
(Ericka Beckman / Balazs Bela Studio) [s]
To Re-edit The World
(David Sherman) [v/m]
The Triumph of Love
(Clare Peploe, Italy / U.K.) [a-f]
25 Watts (Juan Pablo
Rebella and Pablo Stoll, Uruguay)
-What These Ashes
Wanted (Philip Hoffman, Canada) [s]
[6]
Asoka (Santosh
Sivan, India) [p-f]
Decasia (Bill
Morrison)
Going Back Home
(Louise Bourque) [s]
I Love Beijing (Ning
Ying, China)
Ichi the Killer
(Takashi Miike, Japan) [p-f]
The Lady and the
Duke (Eric Rohmer, France) [a-f]
[5]
Counterfeit Film
(Brett Simon) [s] [p-f]*
Daughter From Danang
(Gail Dolgin and Vicente Franco)
Dogtown and Z-Boys
(Stacy Peralta) [a-f]
Go (Isao Yukisada,
Japan)
Happy Times (Zhang
Yimou, China) [p-f]
The Inner Tour
(Ra’anan Alexandrowicz, Israel)
Last Wedding (Bruce
Sweeney, Canada)
Micromoth (Julie
Murray) [s]
Musa the Warrior
(Kim Sung-Su, South Korea)
The Ruination of Men
(Arturo Ripstein, Mexico / Spain)
Secret Ballot (Babak
Payami, Iran / Italy) [a-f]
A Taxi For Three
(Orlando Lübbert, Chile)
Truly Human (Åke
Sandgren, Denmark)
Waterboys (Shinobu
Yaguchi, Japan)
[4]
All About Lily
Chou-Chou (Shunji Iwai, Japan) [a-f]
El Bola (Achero
Mañas, Spain)
Brief Crossing
(Catherine Breillat, France) [a-f]
CQ (Roman Coppola)
[a-f]
Cherish (Finn
Taylor) [a-f]
-A Chronicle of
Corpses (Andrew Repasky McElhinney)
July Rhapsody (Ann
Hui, Hong Kong)
The Man We Want to
Hang (Kenneth Anger) [s]
Me Without You
(Sandra Goldbacher, U.K.) [a-f]
Photograph of Wind
(Lynne Sachs) [s]
Rain (Christine
Jeffs, New Zealand)
Rivers and Tides
(Thomas Riedelsheimer, Germany)
Vivante (Sandrine
Ray, France)
[3]
Calling All Cars
(Alfonso Alvarez) [s]
Cet amour-lá (Josée
Dayan, France)
Hand Eye
Coordination (Naomi Uman) [s]
Read My Lips
(Jacques Audiard, France)
The Subconscious Art
of Graffiti Removal (Matt McCormick) [v/s] [a-f]
Veloma (Marie de
Laubier, France)
[2]
Crepescule: Pond and
Chair (Sandra Davis) [s]
My Wife is an
Actress (Yvan Attal, France) [a-f]
[1]
[W/O]
Inch’Allah Sunday
(Yamina Benguigui, France) (1:15)