(- seen on video; / repeat viewing; [v] video piece; [p] paracinema (installation, etc.); [s] short, under 30 minutes; [m] medium length, 30-69 min; * grade changed upon repeat viewing; \ repeat viewing of something I walked out of or fell asleep during)


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-A Brighter Summer Day (Edward Yang, Taiwan, 1991)

-One Fine Morning (Mia Hansen-Løve, France / Germany, 2022)

-There There (Andrew Bujalski, U.S., 2022)

-Descendant (Margaret Brown, U.S., 2022)

-Geographies of Solitude (Jacquelyn Mills, Canada, 2022)

-Song of Retrospection (Ryu Ho-son, North Korea, 1986)

-Snow in Venice (Don Owen, Canada, 1971) [s]

-All That Breathes (Shaunak Sen, India / U.K. / U.S., 2022)

-No Bears (Jafar Panahi, Iran / Turkey, 2022)

-Living (Oliver Hermanus, U.K., 2022)

\-Apollo 10 1/2: A Space Age Childhood (Richard Linklater, U.S. / Netherlands, 2022)

-Lake Placid '80 (Nam June Paik, U.S. / South Korea, 1980) [s]

-Lindsay Lohan (Richard Phillips, U.S., 2011) [s]

-This Is a Television Receiver (David Hall, U.K., 1976) [s]

-A Minute Ago (Rachel Rose, U.S., 2014) [s]

-Everything Everywhere All at Once (Daniel Kwan & Daniel Scheinert, U.S., 2022)

-A Sign of the Times (Peter Rose, U.S., 2023) [s]

-Grand Jeté (Isabelle Stever, Germany, 2022)

-Last Things (Deborah Stratman, U.S. / France, 2023) [m]

/-The Pressures of the Text (Peter Rose, U.S., 1983) [s]

-Alcarràs (Carla Simón, Spain / Italy, 2022)

-Mad God (Phil Tippett, U.S., 2021)

-Gush (Fox Maxy, U.S., 2023)

-This House (Miryam Charles, Canada, 2022)

-Film Spatial (Camille Henrot, France, 2008) [s]

-GreenScreen Refrigerator Action (Mark Leckey, U.K., 2010) [s]

/Electronic Opera #1 (Nam June Paik, U.S. / South Korea, 1969) [s]

/This Is a Television Receiver (David Hall, U.K., 1976) [s]

/Three Transitions (Peter Campus, U.S., 1973) [s]

/Television Delivers People (Richard Serra and Carlota Schoolman, U.S., 1973) [s]

-Maldone (Jean Grémillon, France, 1928)

-The Love of a Woman (Jean Grémillon, France / Italy, 1953)

-A Common Sequence (Mary Helena Clark and Mike Gibisser, U.S., 2023)



-And the King Said, What a Fantastic Machine (Axel Danielson and Maximilien Van Aertryck, Sweden / Denmark, 2023)

-Marx Can Wait (Marco Bellocchio, Italy, 2021)

(the bottom)