FILMS SEEN, 2023
(- seen on video; / repeat viewing; [v] video piece; [p] paracinema (installation, etc.); [s] short, under 30 minutes; [m] medium length, 30-69 min; * grade changed upon repeat viewing; \ repeat viewing of something I walked out of or fell asleep during)
[Click here to go to the bottom of the list.]
JANUARY
-A Brighter Summer Day (Edward Yang, Taiwan, 1991)
-One Fine Morning (Mia Hansen-Løve, France / Germany, 2022)
-There There (Andrew Bujalski, U.S., 2022)
-Descendant (Margaret Brown, U.S., 2022)
-Geographies of Solitude (Jacquelyn Mills, Canada, 2022)
-Song of Retrospection (Ryu Ho-son, North Korea, 1986)
-Snow in Venice (Don Owen, Canada, 1971) [s]
-All That Breathes (Shaunak Sen, India / U.K. / U.S., 2022)
-No Bears (Jafar Panahi, Iran / Turkey, 2022)
-Living (Oliver Hermanus, U.K., 2022)
\-Apollo 10 1/2: A Space Age Childhood (Richard Linklater, U.S. / Netherlands, 2022)
-Lake Placid '80 (Nam June Paik, U.S. / South Korea, 1980) [s]
-Lindsay Lohan (Richard Phillips, U.S., 2011) [s]
-This Is a Television Receiver (David Hall, U.K., 1976) [s]
-A Minute Ago (Rachel Rose, U.S., 2014) [s]
-Everything Everywhere All at Once (Daniel Kwan & Daniel Scheinert, U.S., 2022)
-A Sign of the Times (Peter Rose, U.S., 2023) [s]
-Grand Jeté (Isabelle Stever, Germany, 2022)
-Last Things (Deborah Stratman, U.S. / France, 2023) [m]
/-The Pressures of the Text (Peter Rose, U.S., 1983) [s]
-Alcarràs (Carla Simón, Spain / Italy, 2022)
-Mad God (Phil Tippett, U.S., 2021)
-Gush (Fox Maxy, U.S., 2023)
-This House (Miryam Charles, Canada, 2022)
-Film Spatial (Camille Henrot, France, 2008) [s]
-GreenScreen Refrigerator Action (Mark Leckey, U.K., 2010) [s]
/Electronic Opera #1 (Nam June Paik, U.S. / South Korea, 1969) [s]
/This Is a Television Receiver (David Hall, U.K., 1976) [s]
/Three Transitions (Peter Campus, U.S., 1973) [s]
/Television Delivers People (Richard Serra and Carlota Schoolman, U.S., 1973) [s]
-Maldone (Jean Grémillon, France, 1928)
-The Love of a Woman (Jean Grémillon, France / Italy, 1953)
-A Common Sequence (Mary Helena Clark and Mike Gibisser, U.S., 2023)
FEBRUARY
-And the King Said, What a Fantastic Machine (Axel Danielson and Maximilien Van Aertryck, Sweden / Denmark, 2023)
-Marx Can Wait (Marco Bellocchio, Italy, 2021)
-Walk Up (Hong Sang-soo, South Korea, 2022)
-Spiral 5 PTL (Perhaps the Last) (Tom DeFanti, Dan Sandin, and Mimi Shevitz, U.S., 1979) [s]
-Full Time (Éric Gravel, France, 2021)
-Four seasons bouquet (Emma Roufs, Canada, 2022) [s]
-A New Old Play (Qiu Jiongjiong, China / France / Hong Kong, 2021)
-Resurrection (Andrew Semans, U.S., 2022)
/-Poem Field No. 1 (Stan Van Der Beek, U.S., 1967) [s]
/-Pixillation (Lillian Schwartz, U.S., 1970) [s]
/-Gloria! (Hollis Frampton, U.S., 1979) [s]
-Barbarian (Zach Cregger, U.S., 2022)
/Boomerang (Richard Serra and Nancy Holt, U.S., 1974) [s]
/Performer / Audience / Mirror (Dan Graham, U.S., 1975) [s]
/Baldessari Sings LeWitt (John Baldessari, U.S., 1972) [s]
/Double Portrait (Takahiko Iimura, U.S. / Japan, 1987) [s]
/Now (Lynda Benglis, U.S., 1973) [s]
/-Performance (Laura Parnes, U.S., 1995) [s]
-Allensworth (James Benning, U.S., 2022) [m]
-Silver Haze (Sacha Polak, U.K. / Netherlands, 2023)
-Laberint Sequences (Blake Williams, Canada, 2023) [s]
-Playland (Georden West, U.S., 2023)
/Open Book (Vito Acconci, U.S., 1974) [s]
/The Pressures of the Text (Peter Rose, U.S., 1983) [s]
-Perpetrator (Jennifer Reeder, U.S., 2023)
-Women Talking (Sarah Polley, U.S. / Canada, 2022)
\-Emily the Criminal (John Patton Ford, U.S., 2022)
/-Titicut Follies (Frederick Wiseman, U.S., 1967)
/-The Passing (Bill Viola, U.S., 1992) [s]
MARCH
-Forever Young [Les Amandiers] (Valeria Bruni Tedeschi, France, 2022)
/-Last Things (Deborah Stratman, U.S. / France, 2023) [m]
-M3GAN (Gerard Johnstone, U.S., 2023)
-Infinity Pool (Brandon Cronenberg, Canada / Croatia / Hungary, 2023)
My Father (Shigeko Kubota, U.S. / Japan, 1975) [s]
/Performance (Laura Parnes, U.S., 1995) [s]
/Talent Show (Laura Parnes, U.S., 1995) [s]
/Vital Statistics of a Citizen, Simply Obtained (Martha Rosler, U.S., 1977) [m]
-Cairo Conspiracy (Tarik Saleh, Egypt / Denmark / Finland / France / Sweden, 2022)
-R.M.N. (Cristian Mungiu, Romania / Belgium / France / Sweden, 2022)
-Last Days of August (Robert Machoian and Rodrigo Ojeda-Beck, U.S., 2022) [s]
/-Laberint Sequences (Blake Williams, Canada, 2023) [s]
-Nostalgia (Mario Martone, Italy / France, 2022)
-in water (Hong Sang-soo, South Korea, 2023) [m]
-Anhell69 (Theo Montoya, Colombia / France / Germany / Romania, 2022)
-Brother and Sister (Arnaud Desplechin, France, 2022)
-There Once Was a Singing Blackbird (Otar Iosseliani, U.S.S.R., 1970)
-Isolation (Abbott Meader, U.S., 1974) [s]
-Racetrack (Abbott Meader, U.S., 1972) [s]
-Gallery (Abbott Meader, U.S., 1968) [s]
-Color Prism Suite #1: Of Life and Farce (Zack Parrinella, U.S., 2016) [s]
/Measures of Distance (Mona Hatoum, Canada / Palestine, 1988) [s]
/Jollies (Sadie Benning, U.S., 1990) [s]
/Technology / Transformation: Wonder Woman (Dara Birnbaum, U.S., 1978) [s]
/Pop Pop Video: Kojak / Wang (Dara Birnbaum, U.S., 1980) [s]
/Dance Number One (Raphael Montañez Ortíz, Puerto Rico, 1986) [s]
/Light Is Waiting (Michael Robinson, U.S., 2007) [s]
-Parafango (Charles Atlas, France, 1984) [m]
-Happenstance (part one of many parts) (Gary Hill, U.S., 1983) [s]
-The Line (Ursula Meier, Switzerland / Belgium / France, 2022)
-Utama (Alejandro Loayza Grisi, Bolivia / France / Uruguay, 2022)
/-OffOn (Scott Bartlett, U.S., 1968) [s]
/18 Videos: #15 (Kyle Canterbury, U.S., 2006) [s]
/St. Ignatius Church Exposure: Lenten Light Conversions (Lynn Marie Kirby, U.S., 2004) [s]
/Optra Field VII-IX (T. Marie, U.S., 2011) [s]
/-videØvoid: TexT (David Larcher, U.K. / France, 1996) [m]
-ER (Clemens Krauss and Benjamin Heisenberg, Germany, 2012) [s]
-A Flower In the Mouth (Éric Baudelaire, France / Germany / South Korea, 2022) [m]
-Being In a Place: A Portrait of Margaret Tait (Luke Fowler, U.K., 2022) [m]
-Souvenir d'Athènes (Jean-Claude Rousseau, France, 2023) [s]
APRIL
-Astrakan (David Depesseville, France, 2022)
/-Cameraperson (Kirsten Johnson, U.S., 2016)
National Anthem (Kota Ezawa, U.S., 2020) [s]
The Unbearable Lightness of Being (Koto Ezawa, U.S., 2005) [s]
/Planet X (Ulysses Jenkins, U.S., 2006) [s]
Smothering Dreams (Dan Reeves, U.S., 1981) [s]
-The Face of the Jellyfish (Melisa Liebenthal, Argentina, 2022)
Enys Men (Mark Jenkin, U.K., 2022)
-Almost Entirely a Slight Disaster (Umut Subaşı, Turkey, 2023)
-Leila's Brothers (Saeed Roustaee, Iran, 2022)
-Knock at the Cabin (M. Night Shyamalan, U.S. / China / Japan, 2023)
-Cruces (Maximilien Luc Procter, U.S., 2023) [s]
-Eight Hours Don't Make a Day (Rainer Werner Fassbinder, West Germany, 1972)
/Mansfield 1962 (William E. Jones, U.S., 2006) [s]
/Capitalism: Child Labor (Ken Jacobs, U.S., 2006) [s]
/What Rules the Invisible (Tiffany Sia, Hong Kong, 2022) [s]
/Origin of the 21st Century (Jean-Luc Godard, France / Switzerland, 2000) [s]
-Yanagawa (Zhang Lu, China, 2021)
-Coconut Head Generation (Alain Kassanda, Nigeria / France, 2023)
-The Divide [La Fracture] (Catherine Corsini, France, 2021)
-It Is In Us All (Antonia Campbell-Hughes, Ireland, 2022) [W/O] (0:35)
-A Respectable Woman (Bernard Émond, Canada, 2023)
/F1ghting Looks Different 2 Me Now (Fox Maxy, U.S., 2022) [s]
The Thought Leader (Liz Magic Laser, U.S., 2015) [s]
/2 Into 1 (Gillian Wearing, U.K. 1997) [s]
/An Arrow Pointing to a Hole (Steve Reinke, U.S. / Canada, 2020) [s]
/Hotel Diaries: Dirty Pictures (John Smith, U.K., 2007) [s]
-Blue Jean (Georgia Oakley, U.K., 2022)
-Smoking Causes Coughing (Quentin Dupieux, France, 2022)
-Henny Penny: The Sky is Falling (Raphael Montañez Ortíz, U.S., 1958) [s]
-A Chair (Takahiko Iimura, Japan, 1970) [s]
Showing Up (Kelly Reichardt, U.S., 2022)
-Black Shampoo (Greydon Clark, U.S., 1976)
Parallel I-IV (Harun Farocki, Germany, 2014) [m]
/HYPERLINKS or It Didn't Happen (Cécile B. Evans, U.K., 2014) [s]
-About Thirty (Martín Shanly, Argentina, 2023)
-Fugue (John Gianvito, U.S., 2022) [s]
-Bibi Seshanbe (Saodat Ismailova, Kazakhstan, 2022) [m]
-Three Sparks (Naomi Uman, Albania / Mexico, 2023)
-Where Is This Street? or With No Before or After (João Pedro Rodrigues and João Rui Guerra de Mata, Portugal / France, 2022)
-A Movement Against the Transparency of the Stars of the Seas (Esy Casey, Philippines, 2022) [m]
-What are the Wild Waves Saying? (Declan Clarke, Ireland, 2022)
-Private Footage (Janaína Nagata, Brazil, 2022)
-Currency (Crystal Z Campbell, U.S., 2019) [s]
-To Write from Memory (Emory Chao Johnson, U.S., 2023) [s]
-Where do you stand, Tsai Ming-liang? (Tsai Ming-liang, Taiwan / France, 2022) [s]
MAY
-lovertits (Ayanna Dozier, U.S., 2022) [s]
-A Picture for Parco (Ayanna Dozier, U.S., 2022) [s]
-an exercise in parting (Ayanna Dozier, U.S., 2022) [s]
-Fin de Siglo (Maike Mia Höhne, Cuba / Germany, 1998) [s]
-I Cannot Now Recall (Kersti Jan Werdal, U.S., 2023) [s]
-Onlookers (Kimi Takesue, Laos, 2023)
-Promised Lands (Emma Wolukau-Wanambwa, Austria / Germany / Uganda, 2018) [s]
-NYC RGB (Viktoria Schmid, Austria, 2023) [s]
-Yaangna Plays Itself (Adam Piron, U.S., 2022) [s]
-II. (Alexandre Larose, Argentina, 2022) [s]
-I. (Alexandre Larose, Argentina, 2022) [s]
-Where (Tsai Ming-liang, Taiwan / France, 2022)
-Anti-Cosmos (Takashi Makino, Japan, 2023) [s]
-Tous les jours de Mai (Miryam Charles, Canada, 2023) [s]
-Coaley Peak (A Fragment) (Dan Guthrie, U.K., 2022) [s]
-Lotus-Eyed Girl (Rajee Samarasinghe, Sri Lanka / U.S., 2023) [s]
-The Apocalyptic is the Mother of All Christian Theology (Jim Finn, U.S., 2023) [m]
Beau Is Afraid (Ari Aster, U.S. / Finland, 2023)
/-Lancelot du Lac (Robert Bresson, France / Italy, 1974)
-Exterior Turbulence (Sofia Theofore-Pierce, U.S., 2023) [s]
-Fragile (Sasha Waters, U.S., 2022) [s]
-Unseen Film Substitution (Michael Betancourt, U.S., 2022) [s]
-Amulet (Ruth Hayes, U.S., 2022) [s]
-How To Microwave a Cauliflower (in 3 easy steps) (Patrick Tarrant, U.K., 2022) [s]
-Intricate Domestication (Eduardo Gutierrez Carrera, Peru, 2022) [s]
-Catalogue Vol. 4 (Dana Berman Duff, U.S., 2018) [s]
-Waiting Room (Alex MacKenzie, Canada, 2022) [s]
-Dykeotomy (Debroah Fort, U.S., 1992) [s]
-Full River Red (Zhang Yimou, China, 2023) [W/O] (0:42)
-Which Colour? (Shahrukhkhan Chavada, India, 2023)
-Légua (João Miller Guerra and Filia Reis, Portugal / France / Italy, 2023)
/-So Is This (Michael Snow, Canada, 1982) [m]
-Mix-Up or Méli-Mélo (Françoise Romand, France / U.K., 1986) [m]
-WVLNT (Wavelength For Those Who Don't Have the Time) (Michael Snow, Canada, 2003) [s]
-It's Raining in the House (Paloma Sermon-Daï, Belgium / France, 2023)
-Only the River Flows (Wei Shujun, China, 2023)
-This Isn't What It Appears (Heehyun Choi, U.S. / South Korea, 2022) [s]
-A Prince (Pierre Creton, France, 2023)
-Night Walk (Sohn Koo-yong, South Korea, 2023) [m]
-Story of the Eye (Gabriel Shigueo, Brazil, 2023) [s]
-Sea of Glass (Francisco Rojas, Chile, 2022) [s]
-Vision of Paradise (Leonardo Pirondi, Brazil / U.K. / U.S., 2022) [s]
-Homecoming (Catherine Corsini, France, 2023)
/-Odette Robert (Jean Eustache, France, 1971) [m]
-Hieronymous Bosch's Garden of Delights (Jean Eustache, France, 1981) [m]
-Jean Eustache's Wasted Breath (Angel Díez, France, 1997) [m]
/-My Little Loves (Jean Eustache, France, 1974)
/-The Mother and the Whore (Jean Eustache, France, 1973)
-Job Offer (Jean Eustache, France, 1982) [s]
/-Alix's Pictures (Jean Eustache, France, 1980) [s]
-A Dirty Story (Jean Eustache, France, 1977) [m]
-The Virgin of Pessac (Jean Eustache, France, 1979) [m]
-The Virgin of Pessac (Jean Eustache, France, 1969) [m]
-La Soirée (Jean Eustache, France, 1961) [s]
-Bad Company (Jean Eustache, France, 1963) [m]
-Santa Claus Has Blue Eyes (Jean Eustache, France, 1966) [m]
JUNE
-Kidnapped (Marco Bellocchio, Italy / France / Germany, 2023)
-Surface of Memory, Memory on Surface (Lee Jangwook, South Korea, 1999) [s]
-Hibernation (Lee Jangwook, South Korea, 2007) [s]
-Possession (Andrzej Żuławski, Germany / France, 1981)
-Monica (Andrea Pallaoro, U.S. / Italy, 2022)
-BlackBerry (Matt Johnson, Canada, 2023)
-In Our Day (Hong Sangsoo, South Korea, 2023)
-The Listener (Steve Buscemi, U.S., 2022)
-Queens of the Qing Dynasty (Ashley McKenzie, Canada, 2022)
-How to Blow Up a Pipeline (Daniel Goldhaber, U.S., 2022)
/-Casino (Martin Scorsese, U.S. / France, 1995)
-Afterwater (Dane Komljen, Germany / South Korea / Spain / Serbia, 2022)
-The Eight Mountains (Felix van Groeningen and Charlotte Vandermeersch, Italy / Belgium / France, 2022)
-Master Gardener (Paul Schrader, U.S. / U.K. / Australia, 2022)
Kokomo City (D. Smith, U.S., 2023)
You Hurt My Feelings (Nicole Holofcener, U.S., 2023)
-Reality (Tina Satter, U.S., 2023)
-Spider-Man: Into the Spider-Verse (Rodney Rothman, Peter Ramsey, and Bob Persichetti, U.S., 2018)
-Too Late (Dennis Hauck, U.S., 2015)
Spider-Man: Across the Spider-Verse (Joaquim Dos Santos, Justin K. Thompson, and Kemp Powers, U.S., 2023)
\-Petrov's Flu (Kirill Serebrennikov, Russia / France / Germany / Switzerland, 2021)
-A Thousand and One (A.V. Rockwell, U.S., 2023)
-Hello, It's Me! (Frunze Dovlatyan, U.S.S.R., 1966)
-Pacifiction (Albert Serra, France / French Polynesia / Germany / Portugal / Spain, 2022)
-The Wall of the Dead (Eugène Green, France, 2022) [m]
-SURFACE (Jun Kurosawa, Japan, 1989) [s]
-Crystal Ship (Jun Kurosawa, Japan, 1988) [s]
-SKY'S GONE OUT (Jun Kurosawa, Japan, 1988) [s]
-COMPOSITION (Jun Kurosawa, Japan, 1989) [s]
-fragment # for K.S. (Jun Kurosawa, Japan, 2019) [s]
-hi ka ri (Jun Kurosawa, Japan, 1988) [s]
-IN HEAVEN (Jun Kurosawa, Japan, 1988) [s]
-MONOLOGUE IN MY BAD TASTE (Jun Kurosawa, Japan, 1988) [s]
-Parlez-moi d'amour (Jun Kurosawa, Japan, 1989) [s]
-A Film That Uses a Cheap Wine Glass to Consider Light (Jun Kurosawa, Japan, 1989) [s]
-Celestial Chart (Jun Kurosawa, Japan, 1987) [s]
-REQUIEM (Jun Kurosawa, Japan, 1989) [s]
-Godland (Hlynur Pálmason, Denmark / Iceland / France / Sweden, 2022)
-NEKO-MIMI (Jun Kurosawa, Japan, 1993)
-Matter Out of Place (Nikolaus Geyrhalter, Austria, 2022)
-DRIB (Kristoffer Borgli, Norway, 2017)
JULY
-Capital (Basma Alsharif, Germany / Italy / Egypt / U.A.E., 2023) [s]
-Run Rabbit Run (Daina Reid, Australia / U.S., 2023)
-Trouble (Miranda Pennell, U.K., 2023) [m]
-The Night Drags On (Mathilde Girard, France, 2023)
-In the Shadow of the Blue Rascal (Pierre Clémenti, France, 1986)
-The Bus Station (Gustavo Fontán, Argentina, 2023) [m]
-Immaterial Terrain (Emily Richardson, U.K., 2023) [s]
-Negative / Positive Film (Federica Foglia, Italy / Canada, 2023) [s]
-Skyscraper Film (Federica Foglia, Italy / Canada, 2023) [s]
-Lines Drawn (Chris Kennedy, Canada, 2023) [s]
-Tlaloc (Abinadi Meza, U.S., 2023) [s]
-Color Negative (Sara Sowell, U.S., 2023) [s]
-I don't want to be filmed I'd rather shoot myself (Friedl vom Gröller, Austria, 2023) [s]
-Palmer (Friedl vom Gröller, Austria, 2023) [s]
-This is For Jonas Mekas (Friedl vom Gröller, Austria, 2023) [s]
-Quiet As It's Kept (Ja'Tovia Gary, U.S., 2023) [s]
-Crux Film (Alexander Stewart and Lilli Carré, U.S., 2023) [s]
-Chennai Gestalt #9 (Dan Barnett, U.S. / India, 2023) [s]
-Traces (Chantal Partamian, Lebanon / Canada, 2023) [s]
-(Fluid) Mosquito (Carleen Maur, U.S., 2023) [s]
-Valley Pride (Lukas Marxt, Austria / Germany, 2023) [s]
-Grandma Galya & Grandpa Arkadiy (Anna Kipervaser, U.S. / Ukraine, 2023) [s]
-Next Her Heart (Anna Kipervaser, U.S. / Ukraine, 2023) [s]
-On Unshaped Dialogue (Charlotte Clermont, Canada, 2023) [s]
-Excuse Me, Miss! (Cherlyn Hsing-Hsin Liu, U.S. / 2023) [s]
-Unabridged Maneuver (Bruno Delgado Ramos, Spain / Canada, 2022) [s]
-TODAY IS A VERY SPECIAL DAY, Nov. 2003 (Matt Whitman, U.S., 2022) [s]
-TODAY IS A VERY SPECIAL DAY, some-times (Matt Whitman, U.S., 2023) [s]
-Oxygen (Karel Doing, U.K. / Netherlands, 2023) [s]
-Disappearances (James Edmonds, U.K., 2023) [s]
-When We Encounter the World (Leonardo Pirondi and Zazie Ray-Trapido, Portugal / U.S., 2023) [s]
-Dreams of a Revolution (Pedro Neves, Portugal / France / Mozambique, 2023) [s]
-If You Don't Watch the Way You Move (Kevin Jerome Everson, U.S., 2023) [s]
-Four Nights (Scout Tafoya, U.S., 2023)
-Cave Painting (Siegfried A. Fruhauf, Austria), 2023) [s]
-Ashes by Name is Man (Ewelina Rosinska, Germany / Poland, 2023) [s]
-Tchaikovsky's Wife (Kirill Serebrennikov, Russia / France, 2022)
-A Kitten For Hitler (Ken Russell, U.K., 2007) [s]
-...ere erera baleibu izik subra aruraen... (J. A. Sistiaga, Spain, 1970)
-An Ostrich Told Me the World is Fake and I Think I Believe It (Lachlan Pendragon, Australia, 2022) [s]
Scarlet (Pietro Marcello, France / Italy, 2022)
-Asteroid City (Wes Anderson, U.S., 2023)
/-Current (Ellie Epp, Canada, 1986) [s]
-Prisoner's Cinema (Joshua Gen Solondz, U.S., 2012) [s]
-Burning Star (Joshua Gen Solondz, U.S., 2012) [s]
-See You Friday, Robinson (Mitra Farahani, France / Iran / Lebanon / Switzerland, 2022)
-Welfare (Frederick Wiseman, U.S., 1975)
-Jimmy's Hall (Ken Loach, Ireland / U.K. / France / Belgium / Japan, 2014)
-Tourists of the Familiar 20 (Ken Jacobs, U.S., 2023) [s]
-It's Not a Prison If You Never Try the Door (Joshua Gen Solondz, U.S., 2013) [s]
-We Don't Talk Like We Used To (Joshua Gen Solondz, U.S., 2023) [m]
-Obscure Night - Goodbye here, anywhere (Sylvain George, France / Switzerland, 2023)
-In a Nearby Field (Laida Lertxundi and Ren Ebel, Spain, 2023) [s]
Afire (Christian Petzold.,Germany, 2023)
-Sound of the Mountain (Mikio Naruse, Japan, 1954)
AUGUST
/-Lingua Franca (Isabel Sandoval, U.S. / Philippines, 2019)
-Earth in the Mouth (Ewelina Rosinska, Germany / Poland, 2020) [s]
-ipsa (I Watched the Moon Around the House) (Blanca García, Spain, 2022) [s]
-breathing exercises (Blanca García, Spain, 2021) [s]
-passages (Blanca García, Spain, 2023) [s]
-that what moves: does the leaf know (Blanca García, Spain, 2023) [s]
-that what moves: fingerinesses (Blanca García, Spain, 2023) [s]
-that what moves: a limber wanderer (Blanca García, Spain, 2023) [s]
-Vera (Tizza Covi and Rainer Frimmel, Austria, 2022)
-Before, Now & Then (Nana) (Kamila Andini, Indonesia, 2022)
Barbie (Greta Gerwig, U.S., 2023)
-Trouble in Mind (Alan Rudolph, U.S., 1985)
/-Back to School (Alan Metter, U.S., 1986)
-Keratin Reserve (Joshua Gen Solondz, U.S., 2009) [s]
-Outsourcing (Joshua Gen Solondz, U.S., 2012) [s]
-Deviations From the Wheel (Joshua Gen Solondz, U.S., 2007) [s]
-Perfect Fantasy (Car Movie) (Joshua Gen Solondz, U.S., 2014) [s]
-TV (Joshua Gen Solondz, U.S., 2014) [s]
-Little Fountains (Joshua Gen Solondz, U.S., 2010) [s]
-Failures (Joshua Gen Solondz, U.S., 2017) [s]
-Carbidopa Sandwich (Joshua Gen Solondz, U.S., 2014) [s]
-Nightmare Arson Fire (Joshua Gen Solondz, U.S., 2017) [s]
/-NE Corridor (Joshua Gen Solondz, U.S., 2022) [s]
/-In Praise of Shadows (Joshua Gen Solondz, U.S., 2020) [s]
/-(tourism studies) (Joshua Gen Solondz, U.S., 2019) [s]
/-Against Landscape (Joshua Gen Solondz, U.S., 2014) [s]
/-Luna e Santur (Joshua Gen Solondz, U.S., 2016) [s]
-birth/rebirth (Laura Moss, U.S., 2023)
-The Old Oak (Ken Loach, U.K. / France / Belgium, 2023)
-Mast-Del (Maryan Tafakory, Iran, 2023) [s]
-Extended Presences (Margaux Dauby, Portugal, 2023) [s]
-After Bed (TT Takamoto, U.S., 2023) [s]
-Lion in the Wind (TT Takamoto, U.S., 2023) [s]
-YES/NO (Simon Payne, U.K., 2021) [s]
-primitive cinema (Simon Payne, U.K., 2015) [s]
-it follows it passes on (Erica Sheu, U.S. / Taiwan, 2023) [s]
Theater Camp (Molly Gordon & Nick Lieberman, U.S., 2023)
-Woman in the Dunes (Hiroshi Teshigahara, Japan, 1964)
-Sundown (Steve Reinke, U.S. / Canada, 2023) [s]
-Lady Killer (Jean Grémillon, France, 1937)
-Sensitive Content (Narges Kalhor, Iran / Germany, 2023) [s]
-Nowhere Near (Miko Revereza, Philippines / U.S., 2023)
-Mambar Pierrette (Rosine Mbakam, Cameroon / Belgium, 2023)
-Humanist Vampire Seeking Consenting Suicidal Person (Ariane Louis-Seize, Canada, 2023)
-The Breaking Ice (Anthony Chen, Singapore / China, 2023)
-21 Days Until the End of the World (Teona Strugar Mitevska, North Macedonia, 2023)
-The Second Journey (To Uluru) (Arthur and Corinne Cantrill, Australia, 1981)
-Spirit of Ecstasy (Héléna Klotz, France, 2023)
-N'Importe Quoi (for Brunhild) (Luke Fowler, U.K., 2023) [s]
-COP26FILM (Luke Fowler, U.K., 2023) [s]
-Slow Shift (Shambhavi Kaul, U.S. / India, 2023) [s]
-Sunflower Siege Engine (Sky Hopinka, Ho-Chunk Nation / U.S., 2023) [s]
-She Came to Me (Rebecca Miller, U.S., 2023)
-Film Sculpture (2) (Philipp Fleischmann, Austria, 2023) [s] [x2]
-Inshallah a Boy (Amjad Al-Rasheed, Jordan / France / Saudi Arabia / Qatar / Egypt, 2023)
-Film Sculpture (4) (Philipp Fleischmann, Austria, 2023) [s] [x2]
-The Mother of All Lies (Asmae El Moudir, Morocco / Egypt / Saudi Arabia / Qatar, 2023)
SEPTEMBER
-Double Suicide (Masahiro Shinoda, Japan, 1969)
-Europa (Sudabeh Mortezai, U.K. / Austria, 2023)
-Shrooms (Jorge Jácome, Portugal, 2023) [s]
-Let's Talk (Simon Liu, Hong Kong, 2023) [s] [x2]
-Hey, Viktor! (Cody Lightning, Canada, 2023)
-Youth (Spring) (Wang Bing, France / Luxembourg / Netherlands, 2023)
-Mirror of Holland (Bert Haanstra, Netherlands, 1950) [s]
-Anqa (Helin Çelik, Austria / Spain, 2023)
-The Daughters of Fire (Pedro Costa, Portugal, 2023) [s]
-Light, Noise, Smoke, and Light, Noise, Smoke (Tomonari Nishikawa, Japan, 2023) [s]
-Pictures of Ghosts (Kleber Mendonça Filho, Brazil, 2023)
-Trailer of a Film That Will Never Exist: Phony Wars (Jean-Luc Godard, Switzerland / France, 2023) [s]
/-It follows It passes on (Erica Sheu, Taiwan / U.S., 2023) [s]
/-Standard Time (Michael Snow, Canada, 1967) [s]
-The First Slam Dunk (Takehiko Inoue, Japan, 2022)
-Four Daughters (Kaouther Ben Hania, Tunisia / France / Germany / Saudi Arabia, 2023)
/-Trailer of a Film That Will Never Exist: Phony Wars (Jean-Luc Godard, Switzerland / France, 2023) [s]
-The Delinquents (Rodrigo Moreno, Argentina / Brazil / Chile / Luxembourg, 2023)
-Mademoiselle Kenopsia (Denis Côté, Canada, 2023)
-Let's Make Love and Listen to Death From Above (Ayanna Dozier, U.S., 2022) [s]
-Vincent Gallo's Sperm (Ayanna Dozier, U.S., 2022) [s]
-Menus-Plaisirs Les Troisgros (Frederick Wiseman, France / U.S., 2023)
-Faces of Death (Jan Soldat, Germany, 2023) [s]
/-Valley Pride (Lukas Marxt, Austria / Germany, 2023) [s]
-A Normal Family (Hur Jin-ho, South Korea, 2023)
-Sira (Apolline Traoré, Burkina Faso / Senegal / France / Germany, 2023)
-After Work (Jan Soldat, Germany, 2023) [s]
-Orlando, My Political Biography (Paul B. Preciado, France, 2023)
-The Far and Near (Justin Jinsoo Kim, U.S. / South Korea, 2023) [s]
-Dildotectonics (Tomás Paula Marques, Portugal, 2023) [s]
-Dau:añcut // Moving Along Image (Adam Piron, U.S., 2023) [s]
-Intersection (Richard Tuohy and Dianna Barrie, Australia , 2022) [s]
-Boyd v. Denton (Kevin Jerome Everson, U.S., 2023) [s]
-Air Force Two (Kevin Jerome Everson, U.S., 2023) [s]
-Unhappy Hour (Ted Fendt, U.S. / Germany, 2023) [s]
-Ungentle (Onyeka Igwe and Huw Lemmey, U.K., 2022) [m]
-Mangosteen (Tulapop Saenjaroen, Thailand, 2023) [m]
-He Thought He Died (Isiah Medina, Canada, 2023)
-Loophole (Jordan Strafer, U.S., 2023) [s]
-Kinderfilm (Total Refusal, Austria, 2023) [s] [x2]
-The Viennale-Trailer 2023 (Pedro Costa, Austria / Portugal, 2023) [s]
-Rickerl (Adrian Goiginger, Austria, 2023)
-Sleep Has Her House (Scott Barley, U.K., 2017)
-Don't Get Too Close (Ren Blank, U.S., 2022) [s]
-Period Piece (Ren Blank, U.S., 2022) [s]
-Abattoir, U.S.A.! (Aria Dean, U.S., 2023) [s]
-A Silence (Joachim Lafosse, Belgium / France / Luxembourg, 2023)
/-The Starfish (Man Ray, France, 1928) [s]
/-Emak-Bakia (Man Ray, France, 1926) [s]
/-Return to Reason (Man Ray, France, 1923) [s]
-The Mysteries of the Chateau of Dice (Man Ray, France, 1929) [s]
-and so it came about (A Tale of Consequential Dormancy) (Charlotte Pryce, U.S., 2023) [s]
-Spark From a Falling Star (Ross Meckfessel, U.S., 2023) [s]
/-Pelourinho, They Don't Really Care About Us (Akosua Adoma Owusu, Brazil / Germany / Ghana, 2019) [s]
/-Air Force Two (Kevin Jerome Everson, U.S., 2023) [s]
/-Color Prism Suite #2: Withering Ends (Zack Parrinella, U.S., 2022) [s]
/-Anti-Cosmos (Takashi Makino, Japan, 2022) [s]
/Pelourinho, They Don't Really Care About Us (Akosua Adoma Owusu, Brazil / Germany / Ghana, 2019) [s]
/Wasteland No. 3: Moons, Sons (Jodie Mack, U.S., 2021) [s]
/Sunflower Siege Engine (Sky Hopinka, Ho-Chunk Nation / U.S., 2023) [s]
/Marriage Story (Jessica Dunn Rovinelli, U.S., 2020) [s]
/"The Red Filter is Withdrawn." (Kim Min-jung, South Korea, 2020) [s]
/Anti-Cosmos (Takashi Makino, Japan, 2022) [s]
OCTOBER
/-Lion in the Wind (TT Takemoto, U.S., 2023) [s]
/-Viola (Matías Piñeiro, Argentina / U.S., 2012) [m]
-Silver Dollar Road (Raoul Peck, U.S., 2023)
-The Shadowless Tower (Zhang Lu, China / Mongolia, 2023)
-False Wife (Jamie Crewe, U.K., 2022) [s]
-Bottoms (Emma Seligman, U.S., 2023)
-Strange Way of Life (Pedro Almodóvar, Spain / France, 2023) [s]
-Poison (Wes Anderson, U.S., 2023) [s]
-The Wonderful Story of Henry Sugar (Wes Anderson, U.S., 2023) [m]
-The Swan (Wes Anderson, U.S., 2023) [s]
-The Rat Catcher (Wes Anderson, U.S., 2023) [s]
/-Unhappy Hour (Ted Fendt, Germany, 2023) [s]
-3 American LPs (Wim Wenders, West Germany, 1969) [s]
-Room 666 (Wim Wenders, West Germany, 1982) [m]
-Saturn Bowling (Patricia Mazuy, France / Belgium, 2022)
-Elephant (Alan Clarke, U.K., 1989) [m]
-Man In Black (Wang Bing, China / France / U.K. / U.S., 2023) [m]
-The Night Visitors (Michael Gitlin, U.S., 2023)
-The Fist (Ayo Akingbade, U.K. / Nigeria, 2022) [s]
-Tótem (Lila Avilés, Mexico / Denmark / France, 2023)
/Stop Making Sense (Jonathan Demme, U.S., 1984)
-Once Within a Time (Godfrey Reggio, U.S., 2022) [m]
-de-composition (Laura Kraning, U.S., 2023) [s]
-Spoils (Luciana Decker, Bolivia, 2023) [s]
-I Would Like to Rage (Chloé Galibert-Laîné, France, 2023) [s]
The Leopard (Luchino Visconti, Italy / France, 1963)
-Here (Bas Devos, Belgium, 2023)
-Anatomy of a Fall (Justine Triet, France, 2023)
-The Royal Hotel (Kitty Green, Australia / U.K. / U.S., 2023)
/-Marathon (Amir Naderi, U.S., 2002)
NOVEMBER
-12 Angry Men (Sidney Lumet, U.S., 1957)
/-de-composition (Laura Kraning, U.S., 2023) [s]
-Muted Bridges (Yan Wai Yin, Hong Kong, 2023) [s]
-Samsara (Lois Patiño, Spain, 2023)
-The Human Surge 3 (Eduardo Williams, Argentina / Brazil / Hong Kong / Netherlands / Peru / Portugal / Sri Lanka / Taiwan, 2023)
-in the fishtank (Linnea Nugent, U.S., 2023) [s]
-Stained Night (Andrés Medina, Argentina, 2023) [s]
-Mutt (Vuk Lungulov-Klotz, U.S., 2023)
-Mechanisms Common to Disparate Phenomena: #59 (Joost Rekveld, Belgium, 2023)
-Passages (Ira Sachs, France, 2023)
/Laberint Sequences (Blake Williams, Canada, 2023) [s]
-The Killer (David Fincher, U.S., 2023)
-Little Murders (Alan Arkin, U.S., 1971)
-Here & Elsewhere (Bram Ruiter, Netherlands, 2023) [s]
-A Weave of Light (Bram Ruiter, Netherlands, 2021) [s]
-Frybread Face and Me (Billy Luther, U.S., 2023)
-Saltburn (Emerald Fennell, U.K. / U.S., 2023)
-Putney Swope (Robert Downey, U.S., 1969)
-Music (Angela Schanelec, Germany / Greece / France / Serbia, 2023)
-The Teachers' Lounge (İlker Çatak, Germany, 2023)