FILMS SEEN, 2025
(/ repeat viewing; [v] video piece; [p] paracinema (installation, etc.); [s] short, under 30 minutes; [m] medium length, 30-69 min; * grade changed upon repeat viewing; \ repeat viewing of something I walked out of or fell asleep during)
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JANUARY
-Ritual (Joseph Bernard, U.S., 1979) [s]
-J.S.B. at 9 (Joseph Bernard, U.S., 1978) [s]
-Effeuller l'acanthe (Teo Hernández, France / Italy, 1987) [s]
-Refuse 2 (Alex Broadwell, U.S., 2023) [s]
/-Careless Passage (Jerome Hiler, U.S., 2024) [s]
-To Brasil (Ute Aurand, Germany / Brazil, 2023) [s]
-Eephus (Carson Lund, U.S., 2024)
-The End (Joshua Oppenheimer, U.K. / Denmark / Germany / Ireland / Italy / Sweden, 2024)
/-Premonitions Following an Evil Deed (David Lynch, U.S. / France, 1995) [s]
-Nights of Cabiria (Federico Fellini, Italy / France, 1957)
-De Profundis (Lawrence Brose, U.S., 1997) [m]
-Spring Night, Summer Night (J.L. Anderson, U.S., 1967)
-Man in the Saddle (Andre de Toth, U.S., 1951)
-Chants (Martine Rousset, France, 1995) [s]
-Santosh (Sandhya Suri, France / Germany / U.K., 2024)
-Afternoons of Solitude (Albert Serra, Spain / France / Portugal, 2024)
/-The Eighties (Chantal Akerman, Belgium / France, 1983)
-September 5 (Tim Fehlbaum, U.S. / Germany, 2024)
-Été (Martine Rousset, France, 1991) [m]
FEBRUARY
-Garden of Luxor (Derek Jarman, U.K., 1973) [s]
-Meat (Frederick Wiseman, U.S., 1976)
-Portrait of a Young Girl at the End of the 60s in Brussels (Chantal Akerman, Belgium / France, 1994) [m]
-Your Touch Makes Others Invisible (Rajee Samarasinghe, Sri Lanka / U.S., 2025) [m]
-And the Rest Will Follow (Pelin Esmer, Turkey / Bulgaria / Romania, 2025)
-Under Suspicion (Stephen Hopkins, U.S., 2000)
-Parthenope (Paolo Sorrentino, Italy / France, 2024)
-Gammelion (Gregory J. Markopoulos, U.S., 1968) [m]
-Primitive Diversity (Alexander Kluge, Germany, 2025)
-Dreams (Sex Love) (Dag Johan Haugerud, Norway, 2024)
-Julie Keeps Quiet (Leonardo Van Dijl, Belgium / Sweden, 2024)
-I'm Still Here (Walter Salles, Brazil / France, 2024)
MARCH
-Back to the Family (Sharunas Bartas, Lithuania / France / Latvia / Poland, 2025)
-John Lilly and the Earth Coincidence Control Office (Michael Almereyda and Courtney Stephens, U.S., 2025)
-Presence (Steven Soderbergh, U.S., 2024)
-A Want in Her (Myrid Carten, Ireland / Netherlands / U.K., 2024)
/-The Periphery of the Base (Zhou Tao, China, 2024) [m]
-Wild Diamond (Agathe Riedinger, France, 2024)
-Sanctuary Station (Brigid McCaffrey, U.S., 2024) [m]
-The Things You Kill (Alireza Khatami, Canada / France / Iran / Poland / Turkey, 2025)
-Shapeless Variations (Francisco Rojas, Chile, 2025) [s]
-Heretic (Scott Beck and Bryan Woods, U.S., 2024)
-Pitcher of Colored Light (Robert Beavers, U.S., 2007) [s]
-D is for Distance (Christopher Petit and Emma Matthews, Finland / France, 2025)
-Farce Sensationelle! (Laida Lertxundi, Spain, 2004) [s]
-Affirmation (Laida Lertxundi, Spain, 2020) [s]
-Essene (Frederick Wiseman, U.S., 1972)
-Paul (Denis Côté, Canada, 2025)
-Monikondee (Lonnie van Brummelen, Siebren de Haan, and Tolin Alexander, Suriname / Netherlands, 2025)
-Baby Invasion (Harmony Korine, U.S., 2024)
APRIL
/-Shapeless Variations (Francisco Rojas, Chile, 2025) [s]
-Black Bag (Steven Soderbergh, U.S., 2025)
-The Life List (Adam Brooks, U.S., 2025)
-Blazing Fists (Takashi Miike, Japan, 2025) [W/O]
-When Fall is Coming (François Ozon, France, 2024)
-Memory is an Animal, It Barks with Many Mouths (Eva Giolo, Belgium / Italy, 2025) [s]
-Mickey 17 (Bong Joon-ho, U.S. / U.K., 2025)
-Olmo (Fernando Eimbcke, U.S. / Mexico, 2025)
-Seven Veils (Atom Egoyan, Canada / U.S. / Finland, 2023)
-The Woman in the Yard (Jaume Collet-Serra, U.S., 2025)