FILMS SEEN, 2025

 

(No tickmark = seen theatrically; / repeat viewing; [v] video piece; [p] paracinema (installation, etc.); [s] short, under 30 minutes; [m] medium length, 30-69 min; * grade changed upon repeat viewing; \ repeat viewing of something I walked out of or fell asleep during)

 

[Click here to go to the bottom of the list.]

 

JANUARY

-Ritual (Joseph Bernard, U.S., 1979) [s]

-J.S.B. at 9 (Joseph Bernard, U.S., 1978) [s]

-Effeuller l'acanthe (Teo Hernández, France / Italy, 1987) [s]

-Refuse 2 (Alex Broadwell, U.S., 2023) [s]

/-Careless Passage (Jerome Hiler, U.S., 2024) [s]

-To Brasil (Ute Aurand, Germany / Brazil, 2023) [s]

-Eephus (Carson Lund, U.S., 2024)

-The End (Joshua Oppenheimer, U.K. / Denmark / Germany / Ireland / Italy / Sweden, 2024)

/-Premonitions Following an Evil Deed (David Lynch, U.S. / France, 1995) [s]

-Nights of Cabiria (Federico Fellini, Italy / France, 1957)

-De Profundis (Lawrence Brose, U.S., 1997) [m]

-Spring Night, Summer Night (J.L. Anderson, U.S., 1967)

-Man in the Saddle (Andre de Toth, U.S., 1951)

-Chants (Martine Rousset, France, 1995) [s]

-Santosh (Sandhya Suri, France / Germany / U.K., 2024)

-Afternoons of Solitude (Albert Serra, Spain / France / Portugal, 2024)

/-The Eighties (Chantal Akerman, Belgium / France, 1983)

-September 5 (Tim Fehlbaum, U.S. / Germany, 2024)

-Été (Martine Rousset, France, 1991) [m]

 

FEBRUARY

-Garden of Luxor (Derek Jarman, U.K., 1973) [s]

-Meat (Frederick Wiseman, U.S., 1976)

-Portrait of a Young Girl at the End of the 60s in Brussels (Chantal Akerman, Belgium / France, 1994) [m]

-Your Touch Makes Others Invisible (Rajee Samarasinghe, Sri Lanka / U.S., 2025) [m]

-And the Rest Will Follow (Pelin Esmer, Turkey / Bulgaria / Romania, 2025)

-Under Suspicion (Stephen Hopkins, U.S., 2000)

-Parthenope (Paolo Sorrentino, Italy / France, 2024)

-Gammelion (Gregory J. Markopoulos, U.S., 1968) [m]

-Primitive Diversity (Alexander Kluge, Germany, 2025)

-Dreams (Sex Love) (Dag Johan Haugerud, Norway, 2024)

-Julie Keeps Quiet (Leonardo Van Dijl, Belgium / Sweden, 2024)

-I'm Still Here (Walter Salles, Brazil / France, 2024)

 

MARCH

-Back to the Family (Sharunas Bartas, Lithuania / France / Latvia / Poland, 2025)

-John Lilly and the Earth Coincidence Control Office (Michael Almereyda and Courtney Stephens, U.S., 2025)

-Presence (Steven Soderbergh, U.S., 2024)

-A Want in Her (Myrid Carten, Ireland / Netherlands / U.K., 2024)

/-The Periphery of the Base (Zhou Tao, China, 2024) [m]

-Wild Diamond (Agathe Riedinger, France, 2024)

-Sanctuary Station (Brigid McCaffrey, U.S., 2024) [m]

-The Things You Kill (Alireza Khatami, Canada / France / Iran / Poland / Turkey, 2025)

-Shapeless Variations (Francisco Rojas, Chile, 2025) [s]

-Heretic (Scott Beck and Bryan Woods, U.S., 2024)

-Pitcher of Colored Light (Robert Beavers, U.S., 2007) [s]

-D is for Distance (Christopher Petit and Emma Matthews, Finland / France, 2025)

-Farce Sensationelle! (Laida Lertxundi, Spain, 2004) [s]

-Affirmation (Laida Lertxundi, Spain, 2020) [s]

-Essene (Frederick Wiseman, U.S., 1972)

-Paul (Denis Côté, Canada, 2025)

-Monikondee (Lonnie van Brummelen, Siebren de Haan, and Tolin Alexander, Suriname / Netherlands, 2025)

-Baby Invasion (Harmony Korine, U.S., 2024)

 

APRIL

/-Shapeless Variations (Francisco Rojas, Chile, 2025) [s]

-Black Bag (Steven Soderbergh, U.S., 2025)

-The Life List (Adam Brooks, U.S., 2025)

-Blazing Fists (Takashi Miike, Japan, 2025) [W/O]

-When Fall is Coming (François Ozon, France, 2024)

-Memory is an Animal, It Barks with Many Mouths (Eva Giolo, Belgium / Italy, 2025) [s]

-Mickey 17 (Bong Joon-ho, U.S. / U.K., 2025)

-Olmo (Fernando Eimbcke, U.S. / Mexico, 2025)

-Seven Veils (Atom Egoyan, Canada / U.S. / Finland, 2023)

-The Woman in the Yard (Jaume Collet-Serra, U.S., 2025)

-American Stories (Food, Family, and Philosophy) (Chantal Akerman, Belgium / France, 1989)

-Wrong Husband (Zacharias Kunuk, Canada, 2025)

-The Most Precious of Cargoes (Michel Hazanavicius, France / Belgium, 2024)

-The Friend (Scott McGehee and David Siegel, U.S., 2024)

-American Dreams (Lost and Found) (James Benning, U.S., 1984) [m]

 

MAY

-little boy (James Benning, U.S., 2025)

/-Aftersun (Charlotte Wells, U.K. / U.S., 2022)

-The Fishing Place (Rob Tregenza, Norway, 2025)

Sinners (Ryan Coogler, U.S., 2025)

-Desert of Namibia (Yoko Yamanaka, Japan, 2024)

-Hospital (Frederick Wiseman, U.S., 1970)

-The Wedding Banquet (Andrew Ahn, U.S., 2025)

-Pavements (Alex Ross Perry, U.S. / Germany, 2024)

-Happyend (Neo Sora, Japan / U.S. / U.K. / Singapore, 2024)

-Fountain of Youth (Guy Ritchie, U.S. / U.K., 2025)

-Sex (Dag Johan Haugerud, Norway, 2024)

-We Can't Go Home Again (Nicholas Ray, U.S., 1973)

-The Story of "Scénario" (Jean-Luc Godard, Jean-Paul Battaggia, Fabrice Aragno, and Nicole Brenez, France / Japan / Germany, 2025) [m]

/-Rear Window (Ernie Gehr, U.S., 1991) [s]

 

JUNE

-Canadian Pacific 1 (David Rimmer, Canada, 1974) [s]

-The Chronology of Water (Kristen Stewart, U.S. / France / Latvia, 2025)

The Phoenician Scheme (Wes Anderson, U.S. / Germany, 2025)

-Love (Dag Johan Haugerud, Norway, 2024)

-Bang Bang (Andrea Tonacci, Brazil, 1971)

-Jerk (Sally Potter, U.K., 1969) [s]

-Henry Johnson (David Mamet, U.S., 2025)

/-The Shrouds (David Cronenberg, Canada / France, 2024)

-The Texas Chain Saw Massacre (Tobe Hooper, U.S., 1974)

-Echo Valley (Michael Pearce, U.S., 2025)

-Revelations of Divine Love (Caroline Golum, U.S., 2025)

-Marble Ass (Želimir Žilnik, Yugoslavia, 1995)

-Pickle Surprise (Tom Rubnitz, U.S., 1989) [s]

-Strawberry Short-Cut (Tom Rubnitz, 1991) [s]

-Canary Loop (Aislinn Evans, U.K., 2020) [s]

-Femmes femmes (Paul Vecchiali, France, 1974)

-Rojo Žalia Blau (Viktoria Schmid, Austria, 2025) [s]

-This Arrow Points (Siegfried A. Fruhauf, Austria, 2025) [s]

-Nursing an idea and a baby are the same not two different acts on simultaneously the same body (Christiana Perschon, Austria, 2025) [s]

-Isis & Osiris (Ephraim Asili, U.S., 2025) [s]

-Memórias Encontradas Numa Banheira (Leonardo Pirondi, Brazil, 2025) [s]

-A Dark Room (Heehyun Choi, South Korea / U.S., 2025) [s]

-He Who Wears Faces on His Ears (Sky Hopinka, U.S., 2025) [s]

-Mandá in lunga (Yannick Mosimann, Switzerland, 2025) [s]

-Manifesto of Feeble and Bitter Love (Abinadi Meza, Mexico / U.S., 2025) [s]

-Sunspots (Abinadi Meza, Mexico / U.S., 2025) [s]

-Polychora (Abinadi Meza, Mexico / U.S., 2025) [s]

-Suíte dos Viajantes (Leonardo Pirondi, Brazil, 2025) [s]

-Sudden Tourniquet (Janie Geiser, U.S., 2025) [s]

-Geomeunyeo (Park Kyujae, South Korea, 2025) [s]

-Tuktuit - Caribou (Lindsay McIntyre, Canada, 2025) [s]

-Necessary Trip (Kevin Jerome Everson, U.S., 2025) [s]

-Remote Views (Alexis McCrimmon, U.S., 2025) [s]

-December Lights (Bram Ruiter, Netherlands, 2025) [s]

-Boat (For David) (Bram Ruiter, Netherlands, 2025) [s]

-Grounds, Premises (Bram Ruiter, Netherlands, 2025) [s]

-I Was There (Kamila Kuc, Poland / U.K., 2025) [s]

/-Shapeless Variations (Francisco Rojas, Chile, 2025) [s]

-Overwork (Céline Berger, Germany / France, 2025) [s]

-Aftertide (Kaiwen Ren, China / U.S., 2025) [s]

-Redland Hooves (Kaiwen Ren, China / U.S., 2025) [s]

-The City and Her Stones (Maximilien Luc Proctor, Germany, 2025) [s]

 

JULY

-Slowest Smile (Alee Peoples, U.S., 2025) [s]

-Excursions (Daniel Martinico, U.S., 2016)

-Linear Endjoy 1.0 (Nicolaas Schmidt, Germany, 2025) [x2] [s]

-Vivarium (Lorcan Finnegan, Ireland / Belgium / Denmark, 2019)

-4 Wheel Gods (Lewis Klahr, U.S., 2025) [s]

-Interstitial Romance (Warm Novelette) (Lewis Klahr, U.S., 2024) [s]

-Tulsa (Scott Stark, U.S., 2025) [s]

-Leather Graves (Malic Amalya, U.S., 2025) [s]

-Language of the Entrails (Luciana Decker Orozco, Bolivia / U.S., 2025) [s]

-Three Friends of the Cold Season (Lewis Klahr, U.S., 2024) [s]

-Thin Rain (Lewis Klahr, U.S., 2023) [s]

-Five Days Till Tomorrow (Lewis Klahr, U.S., 2022) [s]

/-Arnulf Rainer (Peter Kubelka, Austria, 1960) [s]

-Kontinental '25 (Radu Jude, Romania / Brazil / Switzerland / U.K. / Luxembourg, 2025)

-Full Out (Sarah Ballard, U.S., 2025) [s]

-The Phalanx (Ben Balcom, U.S., 2025) [s]

-The Boy Was Found Unharmed (Kalil Haddid, Canada, 2024) [s]

-FELT (Blake Williams, Canada, 2025) [s]

-Land of Barbar (Fredj Moussa, Tunisia / France, 2025) [s]

-Songs Overheard in the Shadows (James Edmonds, Germany, 2025) [s]

-Everybody Deserves a Slice of the Pie (Sasha Pirker, Austria, 2025) [s]

-My Undesirable Friends: Part 1 - Last Air in Moscow (Julia Loktev, U.S. / Russia, 2024)

-Daria's Night Flowers (Maryam Tafakory, Iran / U.K., 2025) [s]

-Friendship (Andrew DeYoung, U.S., 2024)

-April (Dea Kulumbegashvili, Georgia / France / Germany / Italy, 2024)

-Apricity (Nathaniel Dorsky, U.S., 2019) [s]

/-FELT (Blake Williams, Canada, 2025) [s]

-Domestic Violence (Frederick Wiseman, U.S., 2001)

-09/05/1982 (Camilo Restrepo and Jorge Caballero, Mexico / Spain, 2025) [s]

-Fuck the Polis (Rita Azevedo Gomes, Portugal, 2025) [W/O]

-What Does That Nature Say to You (Hong Sang-soo, South Korea, 2025)

-Moonglow (Isabel Sandoval, Philippines / Japan, 2025)

-I Only Rest in the Storm (Pedro Pinho, Portugal / France / Brazil / Romania, 2025)

-Strange Fruit (Skip Norman, U.S. / West Germany, 1969) [m]

-The Alchemist Cookbook (Joel Potrykus, U.S., 2016)

Compensation (Zeinabu irene Davis, U.S., 1989)

-Perpetual Disorder (João Carlos Pinto, Portugal / Spain, 2025) [s]

-Le Lac (Fabrice Aragno, Switzerland, 2025)

-As a Tree Walks to Its Forest (Jiayi Chen, China / U.S., 2025) [s]

-In the Maritime Frequencies (Greta Snider, U.S., 2025) [s]

-Lover, Lovers, Loving, Love (Jodie Mack, U.S., 2025) [s]

-My Will and Desire Like Wheels Revolving (Alice Bommer, U.S., 2025) [s]

 

AUGUST

-Half Halt (Sofia Theodore-Pierce, U.S., 2025) [s]

/-Full Out (Sarah Ballard, U.S., 2025) [s]

/-Leather Graves (Malic Amalya, U.S., 2025) [s]

/-Language of the Entrails (Luciana Decker Orozco, Bolivia / U.S., 2025) [s]

/-Linear Endjoy 1.0 (Nicolaas Schmidt, Germany, 2025) [s]

-Ancestral Visions of the Future (Lemohang Mosese, Lesotho / France / Germany / Qatar / Saudi Arabia, 2025)

-I'm Not Your Monster (Karen Yasinsky, U.S., 2024) [s]

-Ashes to ashes (Sidney Gordon, Canada, 2025) [s]

-In the stranglehold of ivy (Antoinette Zwirchmayr, Austria, 2024) [s]

-Green Light (Pavel Cuzuioc, Austria, 2025)

-A Metamorphosis (Lin Htet Aung, Myanmar, 2025) [s]

Highest 2 Lowest (Spike Lee, U.S., 2025)

-Materialists (Celine Song, U.S., 2025)

-The Seasons (Maureen Fazendeiro, Portugal / France / Spain / Austria, 2025)

-The State I Am In (Christian Petzold, Germany / Portugal, 2000)

-This Side of Salina (Lynne Sachs, U.S., 2025) [s]

/-Remote Views (Alexis McCrimmon, U.S., 2025) [s]

-Blu (Massimo D'Anolfi and Martina Parenti, Italy, 2018) [s]

/-In the Maritime Frequences (Greta Snider, U.S., 2025) [s]

/-Lover, Lovers, Loving, Love (Jodie Mack, U.S., 2025) [s]

-CONFERENCE (Björn Kämmerer, Austria, 2025) [s]

-nearer to thee in a triptych (Matt Whitman, U.S., 2025) [s]

-A Day in the Piero Bottoni Archive (Massimo D'Anolfi and Martina Parenti, Italy, 2022) [s]

-Miroirs No. 3 (Christian Petzold, Germany, 2025)

-Emergency Exit (Frield vom Gröller, Austria, 2025) [s]

-Organized Forgetting (J.M. Martínez, U.S., 2025) [s]

-Overheated (Romina Favayedi, Canada, 2025) [s]

-Melt (Nikolaus Geyrhalter, Austria / Germany, 2025)

-The Early Sun, Red as a Hunter's Moon (Adam Piron, U.S., 2024) [s]

-I Carry the Universe With Me (Cherlyn Hsing-Hsin Liu, U.S., 2024) [s]

-Black Glass (Adam Piron, U.S., 2024) [s]

/-Tuktuit (Lindsay McIntyre, Canada, 2025) [s]

-Mines to Caves (Cauleen Smith, U.S., 2023) [s]

-Sorry, Baby (Eva Victor, U.S. / France / Spain, 2025)

/-09/05/1982 (Camilo Restrepo and Jorge Caballero, Mexico / Spain, 2025) [s]

-The Luckiest Man in America (Samir Oliveros, U.S. / Chile / Colombia, 2024)

-Suspicions About the Hidden Realities of Air (Sam Drake, U.S., 2025) [s]

-I Believe I Said "Yes" (Pere Ginard, Spain, 2025) [s]

-Bosco (Stefano Canapa and Lucie Leszez, France, 2023) [s]

-Letter from Blackhawk Island (Derek Jenkins, U.S., 2025) [s]

-under the flower moon (Craig Scheihing, U.S., 2024) [s]

-All Said Done (Micah Weber, U.S., 2025) [s]

-Copper (Nicolás Pereda, Mexico / Canada, 2025)

-The Thursday Murder Club (Chris Columbus, U.K. / U.S., 2025) [W/O]

-Disappeared (Sohrab Hura, India / Nepal, 2025) [s]

/-Pop-Pop Video: Kojak Wang (Dara Birnbaum, U.S., 1980) [s]

/-Aftertide (Kaiwen Ren, China / U.S., 2025) [s]

/-Land of Barbar (Fredj Moussa, Tunisia / France, 2025) [s]

-Cairo Streets (Abdellah Taïa, France, 2025) [s]

-Map of Traces (Chan Hau Chun, Hong Kong, 2025) [s]

 

SEPTEMBER

-Remake (Ross McElwee, U.S., 2025)

-From My Cloud (Kim Minjung, South Korea, 2025) [s]

-Slightest Pretense (Eri Saito, Japan, 2025) [s]

-Shades of Blue (Antoni Orlof, Poland, 2025) [s]

-World Wide Web (Tori Sommerhof, U.S., 2024) [s]

-The Motherfucker's Birthday (Saif Alsaegh, Iraq, 2024) [s]

/-WALL·E (Andrew Stanton, U.S., 2008)

-Director's Diary (Aleksandr Sokurov, Russia / Italy, 2025)

-Conditio Humana (Friedl vom Gröller, Austria, 2025) [s]

-Morgenkreis (Morning Circle) (Basma Al-Sharif, Canada / U.A.E., 2025) [s]

-En traversée (Vadim Kostrov, France, 2025) [s]

/-Morgenkreis (Morning Circle) (Basma Al-Sharif, Canada / U.A.E.,. 2025) [s]

-Lucky Lu (Lloyd Lee Choi, U.S. / Canada, 2025)

-Opus (Mark Anthony Green, U.S., 2025)

/-FELT (Blake Williams, Canada, 2025) [s]

-Forastera (Lucía Aleñar Iglesias, Spain / Sweden, 2025)

-The Sun Rises On Us All (Cai Shangjun, China, 2025)

-I Saw the Face of God in the Jet Wash (Mark Jenkin, U.K., 2025) [s]

-The origin of the world (Jazmín López, Argentina, 2025) [s]

-The Man Who Did Everything Forbidden (Carlos Amorales, Mexico / France / Germany / Chile, 2014) [m]

-Amsterdam (Carlos Amorales, Mexico, 2013) [s]

-Mama (Or Sinai, Israel / Poland / Italy, 2025)

-Hen (György Pálfi, Greece / Hungary / Germany, 2025)

-Franz (Agnieszka Holland, Czechia / Poland / Germany, 2025)

Un Nahual Veracru' (Miguel Calderón, Mexico, 1992) [s]

Disritmia Cerebral (Miguel Calderón, Mexico, 1990) [s]

Camaleón (Miguel Calderón, Mexico, 2017) [s]

Guest of Honor (Miguel Calderón, Mexico, 2006/2025) [s]

-Weapons (Zach Cregger, U.S., 2025)

-Girl (Shu Qi, Taiwan / China, 2025)

-Alfred Edel's Attack on Himself (Jan Soldat, Austria, 2025) [s]

-Below the Clouds (Gianfranco Rosi, Italy, 2025)

-A Symphony of War: Part I (Richard Bruhn, Canada, 2010) [W/O]

-The Blue Trail (Gabriel Mascaro, Brazil / Mexico / Chile / Netherlands, 2025)

The History of Sound (Oliver Hermanus, U.K. / U.S. / Sweden, 2025)

-Jewel Robbery (William Dieterle, U.S., 1932) [m]

-The Truth Beneath (Lee Kyoung-mi, South Korea, 2015)

-Pastoral: To Die in the Country (Shūji Terayama, Japan, 1974)

/-Conditio Humana (Friedl vom Gröller, Austria, 2025) [s]

-de natura tenebrarum (about the nature of darkness) (Manuel Knapp, Austria, 2025) [s]

-Ecce Mole (Heinz Emigholz, Germany / Italy, 2025) [s]

-Escape (Masao Adachi, Japan, 2025)

-Lilith Fair: Building a Mystery (Ally Pankiw, Canada / U.S. / Australia, 2025)

-Forking Paths (Leonardo Pirondi, Brazil / U.S.) [s] [workprint]

-Awakening (Joanna Hogg, Austria / U.K., 2025) [s]

-A Big Tree Makes Way for a Nice Shade (Igor Kriuchkov, Russia, 2025) [s]

 

OCTOBER

-Orwell: 2+2=5 (Raoul Peck, U.S. / France, 2025)

The Killer (John Woo, Hong Kong, 1989)

-Powwow People (Sky Hopinka, U.S., 2025)

-Evidence (Lee Anne Schmidt, U.S., 2025)

-Gattaca (Andrew Niccol, U.S., 1997)

-Last Night I Conquered the City of Thebes (Gabriel Azorín, Spain / Portugal, 2025)

-Levers (Rhayne Vermette, Canada, 2025)

-Twinless (James Sweeney, U.S., 2025)

-Splitsville (Michael Angelo Covino, U.S., 2025)

-Sirāt (Oliver Laxe, Spain / France, 2025)

-Young Mothers (Jean-Pierre and Luc Dardenne, Belgium / France, 2025)

-The Perfect Neighbor (Geeta Gandbhir, U.S., 2025)

-A House of Dynamite (Kathryn Bigelow, U.S., 2025)

-BLKNWS®: Terms & Conditions (Kahlil Joseph, U.S., 2025)

/ParaNorman (Sam Fell and Chris Butler, U.S., 2012)

-Vulcanizadora (Joel Potrykus, U.S., 2024)

-With Hasan in Gaza (Kamal Aljafari, Palestine / Germany / France / Qatar, 2025)

-Nova '78 (Rodrigo Areias and Aaron Brookner, U.K. / Portugal, 2025)

 

NOVEMBER

One Battle After Another (Paul Thomas Anderson, U.S., 2025)

/-The Things You Kill (Alireza Khatami, Canada / France / Iran / Poland / Turkey)

/-Oblivion Verses (Alireza Khatami, Chile / France / Germany / Netherlands, 2017)

-Motel Destino (Karim Aïnouz, Brazil / France / Germany, 2024)

-Blonde (Andrew Dominik, U.S., 2022)

-Blue Heron (Sophy Romvari, Canada / Hungary, 2025)

-Marcello mio (Christophe Honoré, France / Italy, 2024)

Nouvelle Vague (Richard Linklater, France / U.S., 2025)

-Renoir (Chie Hayakawa, Japan / France / Philippines / Singapore / Indonesia, 2025)

-Frankenstein (Guillermo del Toro, U.S. / Canada, 2025)

/09/05/1982 (Camilo Restrepo and Jorge Caballero, Mexico / Spain, 2025) [s]

/In the Maritime Frequences (Greta Snider, U.S., 2025) [s]

/Daria's Night Flowers (Maryam Tafakory, Iran / U.K., 2025) [s]

/Remote Views (Alexis McCrimmon, U.S., 2025) [s]

/Full Out (Sarah Ballard, U.S., 2025) [s]

-If I Had Legs I'd Kick You (Mary Bronstein, U.S., 2025)

-A Private Life (Rebecca Zlotowski, France, 2025)

-Two Thousand Maniacs! (Herschell Gordon Lewis, U.S., 1964)

-Barking in the Dark (Marie Losier, France, 2025) [m]

Peter Hujar's Day (Ira Sachs, U.S. / Germany / U.K. / Argentina / Spain, 2025)

-Castration Movie Anthology ii. The Best of Both Worlds (Louise Weard, Canada, 2025) [W/O]

-Gavagai (Ulrich Köhler, Germany / France, 2025)

-Toward a Fundamental Theory of Physics (Victor Van Rossem, Belgium, 2025) [s]

-After The Hunt (Luca Guadagnino, U.S. / Italy, 2025)

-[pink noise] (Clint Enns, Canada, 2025) [s]

-Greyscale (Simon Payne, U.K., 2025) [s]

-Norm (Max Hattler, Germany, 2025) [s]

-pressing (Stephanie Barber, U.S., 2025) [s]

-The Dithering Veil (Rushnan Jaleel, India, 2025) [s]

-The Visible Material (Ryan Marino, U.S., 2024) [s]

-Tooborac (Richard Tuohy and Dianna Barrie, Australia, 2025) [s]

-River Nocturne (meditation on noise) (Francesco Zanatta, Italy, 2025) [s]

-Die My Love (Lynne Ramsay, U.S., 2025)

-Good Boy (Ben Leonberg, U.S., 2025)

-The Mastermind (Kelly Reichardt, U.S. / U.K., 2025)

-Fall (Eric Schaeffer, U.S., 1997)

-Father Mother Sister Brother (Jim Jarmusch, U.S. / France / Ireland / Italy / Germany / U.K., 2025)

-Eddington (Ari Aster, U.S. / Finland, 2025)

 

DECEMBER

-in thin air (Rushnan Jaleel, India, 2025) [s]

-Bugonia (Yorgos Lanthimos, U.S. / Canada / Ireland / South Korea, 2025)

-La Grazia (Paolo Sorrentino, Italy, 2025)

Sentimental Value (Joachim Trier, Norway / France / Denmark / Sweden / Germany / Turkey / U.K., 2025)

-Reflection in a Dead Diamond (Hélène Cattet and Bruno Forzani, Belgium / France / Italy / Luxembourg, 2025)

-Blue Moon (Richard Linklater, U.S. / Ireland, 2025)

-Mare's Nest (Ben Rivers, U.K. / France / Canada, 2025)

-Familiar Touch (Sarah Friedland, U.S., 2024)

-Jay Kelly (Noah Baumbach, U.S. / U.K., 2025)

-The Currents (Milagros Mumenthaler, Argentina / Switzerland, 2025)

-Dead Man's Wire (Gus Van Sant, U.S., 2025)

-Where to Land (Hal Hartley, U.S., 2025)

-Sound of Falling (Mascha Schilinski, Germany, 2025)

-It Was Just an Accident (Jafar Panahi, Iran / France / Luxembourg, 2025)

-No Other Choice (Park Chan-wook, South Korea / France, 2025)

 

 

 

 

 

 

 

 

 

 

(the bottom)