FILMS SEEN, 2022
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JANUARY
-Lovemaking (Stan Brakhage, U.S., 1968) [s]
-Free, White and 21 (Howardina Pindell, U.S., 1980) [s]
-Eternal Beach (Nisi Jacobs, U.S.)
-What Do We See When We Look at the Sky? (Alexandre Koberidze, Germany / Georgia)
-A River Runs, Turns, Erases, Replaces (Zhu Shengze, U.S.)
-Janie's Janie (Geri Ashur / Peter Barton, U.S., 1971) [s]
-Wall (Takashi Ito, Japan, 1987) [s]
-Unclenching the Fists (Kira Kovalenko, Russia)
-Happening (Audrey Diwan, France)
-You Could Have Seen the Mona Lisa (Doug Dillaman, U.S. / New Zealand) [s]
-The Lost Daughter (Maggie Gyllenhaal, Greece / U.K. / U.S.)
-Simone Barbès or Virtue (Marie-Claude Treilhou, France, 1980)
\-Suzanna Andler (Benoît Jacquot, France)
-A Floating World (Jean-Claude Rousseau, France) [m]
-Picasso in Vallauris (Peter Nestler, Germany) [m]
-What's Up Doc? (Peter Bogdanovich, U.S., 1972)
/-Light Licks: Pardes: Counting Flowers on the Wall (Saul Levine, U.S., 2018) [s]
-of and from (Nick Collins, U.K.) [s]
-Willi Tobler and the Decline of the 6th Fleet (Alexander Kluge, West Germany, 1972)
-Belle (Mamoru Hosoda, Japan)
-Either or Neither (Daniel Barnett, U.S.)
-The Heartbreak Kid (Elaine May, U.S., 1972)
-A Hero (Asghar Farhadi, Iran / France)
-Altitude Zero (Lauren Cook, U.S., 2004) [s]
-PXXXL (Lauren Cook, U.S., 2012) [s]
-Trans/Figure/Ground (Lauren Cook, U.S., 2016) [s]
-El Planeta (Amalia Ulman, Argentina / Spain / U.S.)
/-The Arrival of the Train at La Ciotat (Auguste and Louis Lumière, France, 1895) [s]
/-Demolition of a Wall (Auguste and Louis Lumière, France, 1895) [s]
/-Necrology (Standish Lawder, U.S., 1970) [s]
/-The Girl Chewing Gum (John Smith, U.K., 1976) [s]
/-Report (Bruce Conner, U.S., 1967) [s]
/-SkateBang (Damon Packard, U.S. / U.K., 2007) [s]
-Fat City (John Huston, U.S., 1972)
-The Tale of King Crab (Alessio Rigo de Righi / Matteo Zoppis, Argentina / France / Italy)
/-passage à l'acte (Martin Arnold, Austria, 1993) [s]
/-Psalm III: Night of the Meek (Phil Solomon, U.S., 2002) [s]
/-The Woolworths Choir of 1979 (Elizabeth Price, U.K., 2012) [s]
/-Pony Glass (Lewis Klahr, U.S., 1997) [s]
/-Traces / Legacy (Scott Stark, U.S., 2015) [s]
-Encanto (Byron Howard / Jared Bush, U.S.)
FEBRUARY
-Glass Life (Sara Cwynar, U.S. / Canada) [s]
-Punctured Sky (Jon Rafman, Canada) [s]
-Becoming Male in the Middle Ages (Pedro Neves Marques, Portugal) [s]
-The Olive Trees of Justice (James Blue, Algeria, 1962)
-Impersonator (Andrew Norman Wilson, U.S.) [s]
-Rhythm Trail (Malena Szlam, Canada, 2011) [s]
-Movement and Stillness (James Edmonds, Germany, 2015) [s]
-Eami (Paz Encina, Paraguay / France / Germany / Mexico / Netherlands / U.S.)
-The African Desperate (Martine Sims, U.S.)
/-Ballet Mécanique (Fernand Léger and Dudley Andrew, France, 1924) [s]
/-The Man With the Movie Camera (Dziga Vertov, U.S.S.R., 1929) [m]
/-Bicycle Thieves (Vittorio de Sica, Italy, 1948)
-Pasadena Freeway Stills (Gary Beydler, U.S., 1974) [s]
-Expedition Content (Ernst Karel and Veronika Kusumaryati, U.S.)
-Splendid Isolation (Urszula Antoniak, Netherlands)
-Answering the Sun (Rainer Kohlberger, Austria / Germany) [m]
-Cow (Andrea Arnold, U.K.)
-Sea Series 23 (John Price, Canada) [s]
/-Plumb Line (Carolee Schneemann, U.S., 1971) [s]
-I Want You Back (Jason Orley, U.S.)
-When We Were Monsters (Steve Reinke and James Richards, U.K.) [s]
-The Newest Olds (Pablo Mazzolo, Argentina / Canada) [s]
-I Miss Sonia Henie (Miloš Forman / Buck Henry / Dušan Makavejev / Paul Morrissey / Tinto Brass / Frederick Wiseman / Mladomir Djordjevic / Karpo Godina, Yugoslavia, 1971) [s]
/-Rose Hobart (Joseph Cornell, U.S., 1936) [s]
/-Return to Reason (Man Ray, France, 1923) [s]
/-Meshes of the Afternoon (Maya Deren and Alexander Hammid, U.S., 1943) [s]
/-Un Chien Andalou (Luis Buñuel, France, 1929) [s]
-Whale Watch (1) (Joseph Bernard, U.S., 1981) [s]
-Station II (Michael Hubbard, U.S.) [s]
-What Distinguishes the Past (Ben Russell, U.S.) [s]
-2020 (Friedl vom Gröller, Austria) [s]
-Boys Beware (Eden Poag, U.S.) [s]
-Melting (Thom Andersen, U.S., 1965) [s]
-L'autre Scène (Dominque Avron / Guy Fihman / Claudine Eizykman / Jean-Francois Lyotard, France, 1969) [s]
-The United States of America (James Benning, U.S.)
-Enough Praying (Aldo Francia, Chile, 1972)
-Triforium (Jayne Parker, U.K.) [s]
-Medicine Bundle (Thirza Cuthand, Canada) [s]
-No Sell Out (Tony Cokes, U.S., 1995) [s]
-Coma (Bertrand Bonello, France)
/-All My Life (Bruce Baillie, U.S., 1966) [s]
/-Mario Banana I (Andy Warhol, U.S., 1964) [s]
/-Fog Line (Larry Gottheim, U.S., 1970) [s]
/-Time and Tide (Peter Hutton, U.S., 2000) [m]
-The Sower of Stars (Lois Patiño, Spain) [s]
-A Little Love Package (Gastón Solnicki, Argentina / Austria)
-Kimi (Steven Soderbergh, U.S.)
-Nitram (Justin Kurzel, Australia)
-VS (Lydia Nsiah, Austria) [s]
-Fire Emergencies (Kevin Jerome Everson, U.S.) [s]
-Kicking the Clouds (Sky Hopinka, Ho-Chunk / Luiseño) [s]
-Notes, Imprints (On Love): Part II, Carmela (Alexandra Cuesta. Ecuador / U.S.) [s]
-Partial Differential Equation (Kevin Jerome Everson, U.S.) [s]
-Missing Time (Morgan Quaintance, U.K., 2019) [s]
-Mass of Images (Ulysses Jenkins, U.S., 1978) [s]
-seeing her (Lindsay McIntyre, Canada) [s]
/-Cat's Cradle (Stan Brakhage, U.S., 1959) [s]
/-Window Water Baby Moving (Stan Brakhage, U.S., 1959) [s]
/-Mothlight (Stan Brakhage, U.S., 1963) [s]
/-Eye Myth (Stan Brakhage, U.S., 1977) [s]
/-The Hedge Theater (Robert Beavers, Italy/ Switzerland, 2003) [s]
MARCH
-Private Imaginings and Narrative Facts (Edward Owens, U.S., 1968) [s]
/-Associations (John Smith, U.K., 1975) [s]
/-No.3: Interwoven (Harry Smith, U.S., 1947) [s]
/-No. 2: Message From the Sun (Harry Smith, U.S., 1947) [s]
/-No. 10 (Harry Smith, U.S., 1956) [s]
/-Valse Triste (Bruce Conner, U.S., 1977) [s]
/-Very Nice Very Nice (Arthur Lipsett, Canada, 1961) [s]
/-Nice Biscotts #1 (Luther Price, U.S., 2005) [s]
/-Labor of Love (Sylvia Schedelbauer, Germany) [s]
/-Love Is the Message, the Message Is Death (Arthur Jafa, U.S., 2016) [s]
-The Severing (Mark Pellington, U.S.) [W/O] (0:30)
-Everything Went Fine (François Ozon, France)
-The Adam Project (Shawn Levy, U.S.)
-After Yang (Kogonada, U.S.)
-Turning Red (Domee Shi, U.S.)
-Lingui, the Sacred Bonds (Mahamet-Saleh Haroun, Chad / France / Belgium / Germany)
-Three Floors (Nanni Moretti, Italy / France)
-Losing Ground (Kathleen Collins, U.S., 1982)
-Deep Water (Adrian Lyne, U.S.)
-Master (Mariama Diallo, U.S.)
-Jackass Forever (Jeff Tremaine, U.S.)
-Apotheosis (John Lennon and Yoko Ono, U.K., 1970) [s]
/-Love Is the Message, the Message Is Death (Arthur Jafa, U.S., 2016) [s]
/-Unsere Afrikareise (Peter Kubelka, Austria, 1966) [s]
/-My Name Is Oona (Gunvor Nelson, U.S., 1969) [s]
/-Mutiny (Abigail Child, U.S., 1982) [s]
/-SkateBang (Damon Packard, U.S. / U.K., 2007) [s]
/-Light Is Waiting (Michael Robinson, U.S., 2007) [s]
-Azor (Andreas Fontana, Argentina / France / Switzerland)
/-If Beale Street Could Talk (Barry Jenkins, U.S., 2018)
-CODA (Siân Heder, U.S. / France)
APRIL
-The Novelist's Film (Hong Sangsoo, South Korea)
-The Cathedral (Ricky D'Ambrose, U.S.)
-Instructions on How to Make a Film (Nazli Dinçel, U.S., 2018) [s]
/-Cityscape (Michael Snow, Canada, 2019) [s]
/-Hapax Legomena I: (nostalgia) (Hollis Frampton, U.S., 1971) [m]
/Vertical Roll (Joan Jonas, U.S., 1972) [s]
-Pirated! (Nguyen Tam Hoang, U.S., 2000) [s]
-Nine Behind (Sophy Romvari, Canada, 2016) [s]
-Grandma's House (Sophy Romvari, Canada, 2018) [s]
-The City and the City (Christos Passalis and Syllas Tzoumerkas, Greece / Germany / U.S.)
-The Round-Up (Miklós Jancsó, Hungary, 1966)
/-T,O,U,C,H,I,N,G (Paul Sharits, U.S., 1969) [s]
/-Spacy (Takashi Ito, Japan, 1981) [s]
/-Remedial Reading Comprehension (George Landow, U.S., 1970) [s]
/-( ) (Morgan Fisher, U.S., 2003) [s]
-Agnus Dei (Miklós Jancsó, Hungary, 1971)
/-Variations on a Cellophane Wrapper (David Rimmer, Canada, 1970) [s]
-Once Upon a Time in Calcutta (Aditya Vikram Sengupta, India / France / Norway) [W/O] (0:42)
-The Wilkinson Household Fire Alarm (Morgan Fisher, U.S., 1973) [s]
-The Red Thread (Larry Gottheim, U.S., 1987) [s]
-Feathers (Omar El Zohairy, Egypt / France / Netherlands / Greece)
-Fabian: Going to the Dogs (Dominik Graf, Germany)
/-Dyketactics (Barbara Hammer, U.S., 1974) [s]
-No No Nooky T.V. (Barbara Hammer, U.S., 1987) [s]
-Pilgrims (Laurynas Bareiša, Lithuania) [W/O] (0:41)
-Robe of Gems (Natalia López Gallardo, Mexico / Argentina / U.S.)
-Intimate Confessions of a Chinese Courtesan (Chor Yuen, Hong Kong, 1972)
-Hot in Day, Cold at Night (Park Song-yeol, South Korea) [W/O] (0:34)
/-Jollies (Sadie Benning, U.S., 1990) [s]
-The Red and the White (Miklós Jancsó, Hungary, 1967)
-Gilbert and George (Gregory J. Markopoulos, France / Switzerland, 1975) [s]
-Shared Table (Robert Beavers, Germany / U.S., 2016) [s]
MAY
-Red Psalm (Miklós Jancsó, Hungary / U.S.S.R., 1972)
-Silence and Cry (Miklós Jancsó, Hungary, 1968)
-Electra, My Love (Miklós Jancsó, Hungary, 1974)
/-Something Between Us (Jodie Mack, U.S., 2015) [s]
/-Pelourinho, They Don't Really Care About Us (Akosua Adoma Owusu, Brazil / Germany / Ghana, 2019) [s]
/-Kindah (Ephraim Asili, U.S. / Jamaica, 2016) [s]
/-Ears, Nose and Throat (Kevin Jerome Everson, U.S., 2016) [s]
-Sundown (Michel Franco, Mexico / France / Sweden)
-The Tragedy of Macbeth (Joel Coen, U.S.)
-Vampyr (Carl Theodor Dreyer, Germany / France, 1932)
-X (Ti West, U.S. / Canada)
-Memory Playthrough (Sim Hahahah, U.S.) [s]
-Global Fruit (G. Anthony Svatek, U.S.) [s]
-Contour (Fabio Andrade, Brazil) [s]
/-That Was When I Thought I Could Hear You (Matt Whitman, U.S.) [s]
/-Wasteland No. 3: Moons, Sons (Jodie Mack, U.S.) [s]
-Alive in Death (Maliyamungu Muhande, U.S.) [s]
-D'Homme A Homme (Yashaddai Owens, U.S.) [s]
-A Vessel, The Ideas Pass Through (Linnea Nugent, U.S.) [s]
-She Gather Me (Miatta Kawinzi, U.S.) [s]
/-Wide Angle Saxon (Owen Land, U.S., 1975) [s]
-Vecino Vecino (Camila Galaz, Chile) [s]
-open sky / open sea / open ground (Martín Baus and Libertad Gills, Ecuador) [s]
-Golden Jubilee (Suneil Sanzgiri, India / U.S.) [s]
-Condition / Decondition (Jason Osder, U.S.) [s]
-Tropicollage (Astria Suparak, U.S.) [s]
-Heron 1954-2002 (Alexis McCrimmon, U.S.) [s]
-Upwards Tide (Daniela Zahlner, U.S. / Germany) [s]
-Apollo 10 1/2: A Space Age Childhood (Richard Linklater, U.S. / Netherlands) [W/O] (0:30)
-Fresh (Mimi Cave, U.S.)
Vortex (Gaspar Noé, France / Belgium / Monaco)
-The Innocents (Eskil Vogt, Norway / Denmark / Finland / Sweden) [W/O] (0:30)
-Terminals (Sandra Lahire, U.K., 1986) [s]
-Master of the House (Carl Theodor Dreyer, Denmark, 1925)
-The Northman (Robert Eggers, U.S. / China)
-Paris, 13th District [Les Olympiades] (Jacques Audiard, France)
-Pleasure (Ninja Thyberg, Sweden / Netherlands / France)
-Magdala (Damien Manivel, France)
-The Mountain (Thomas Salvador, France)
-Hunt (Lee Jung-jae, South Korea) [W/O] (0:34)
-The Night of the 12th (Dominik Moll, France / Belgium)
-A Chiara (Jonas Carpignano, Italy / France / Sweden)
-Harkis (Philippe Faucon, France / Belgium)
-Will-o'-the-Wisp (João Pedro Rodrigues, Portugal / France) [m]
-Michael (Carl Theodor Dreyer, Germany, 1924)
JUNE
-Two People (Carl Theodor Dreyer, Sweden, 1945)
/Reckless Eyeballing (Christopher Harris, U.S., 2004) [s]
/Sunshine State (Extended Forecast) (Christopher Harris, U.S., 2007) [s]
/28.IV.81 (Bedouin Spark) (Christopher Harris, U.S., 2009) [s]
A Willing Suspension of Disbelief + Photography and Fetish (Christopher Harris, U.S., 2014) [s]
/Halimuhfack (Christopher Harris, U.S., 2016) [s]
/Dreams Under Confinement (Christopher Harris, U.S.) [s]
-Bruges (Jim Jennings, U.S., 2006) [s]
-Canal Cinema (Jim Jennings, U.S., 1993) [s]
-Chambers (Jim Jennings, U.S., 1978) [s]
-Made in Chinatown (Jim Jennings, U.S., 2006) [s]
/-Close Quarters (Jim Jennings, U.S., 2004) [s]
-Clothesline (Jim Jennings, U.S., 1977) [s]
-Counterpane (Jim Jennings, U.S., 1979) [s]
-Day Dream (Jim Jennings, U.S., 2001) [s]
-Dispatch (Jim Jennings, U.S., 1979) [s]
-Edge (Jim Jennings, U.S., 1972) [s]
/-Bye Bye Bob (Jim Jennings, U.S., 1990) [s]
-Elements (Jim Jennings, U.S., 2002) [s]
-Fashion Avenue (Jim Jennings, U.S., 2007) [s]
/-Watch the Closing Doors (Jim Jennings, U.S., 2012) [s]
-The Minibike Ride (Jim Jennings, U.S., 1969) [s]
/-Horizons (Larry Gottheim, U.S., 1973)
-Capybara Walking (Eadweard Muybridge, U.S., 1887) [p/s]
-Wall Street (Jim Jennings, U.S., 1980) [s]
-Snow Ride (Jim Jennings, U.S., 1972) [s]
-Refraction (Jim Jennings, U.S., 1972) [s]
-Proximity (Jim Jennings, U.S., 1973) [s]
-Reel in Colour #11 (Bruno Delgado Ramo, Spain, 2019) [s]
-Dark Glasses (Dario Argento, Italy / France)
-Fire of Love (Sara Dosa, U.S. / Canada)
/-Made in Chinatown (Jim Jennings, U.S., 2006) [s]
-White Building (Kavich Neang, Cambodia / Qatar / China / France) [W/O] (0:40)
-Candyman (Nia DaCosta, U.S. / Canada)
-Di Humani Corporis Fabrica (Véréna Paravel and Lucien Castaing-Taylor, France / U.S.)
-Train of Thought (Jim Jennings, U.S., 2009) [s]
-South of the Border (Jim Jennings, U.S. / Mexico, 2011) [s]
-Skyscraper (Jim Jennings, U.S., 2001) [s]
/-Silvercup (Jim Jennings, U.S., 1998) [s]
-Jackson Heights (Jim Jennings, U.S., 2010) [s]
-Leaves (Jim Jennings, U.S., 1973) [s]
-Lost and Found (Jim Jennings, U.S., 2013) [s]
-The Tomb of Kafka (Jean-Claude Rousseau, France) [s]
-La collectionneuse (Éric Rohmer, France, 1967)
-Maria Schneider, 1983 (Elisabeth Subrin, U.S. / France) [s]
-The Integrity of Joseph Chambers (Robert Machoian, U.S.)
-The Death of P'town (Ken Jacobs, U.S., 1963) [s]
-Details of Pollock's White Light (Ken Jacobs, U.S., 2018) [s]
-Claire's Knee (Éric Rohmer, France, 1970)
-Both Sides of the Blade (Claire Denis, France / U.K.)
-Prometheus (Dominic Angerame, U.S.) [s]
-Watcher (Chloe Okuno, U.S. / U.A.E.) [W/O] (0:34)
-RRR (S.S. Rajamouli, India)
-Crimes of the Future (David Cronenberg, Canada / Greece)
-My Night at Maud's (Éric Rohmer, France, 1969)
-The Restless (Joachim Lafosse, Belgium / France / Luxembourg)
JULY
-Men (Alex Garland, U.K.)
/-Upwards Tide (Daniela Zahlner, U.S. / Germany) [s]
-From the Ground (Anna Marziano, Italy / France) [s]
-The Sky's In There (Dani and Sheilah ReStack, U.S.) [s]
/-Heron 1954-2002 (Alexis McCrimmon, U.S.) [s]
-Leonora Addio (Paolo Taviani, Italy)
-Secrets & Lies (Mike Leigh, U.K., 1996)
-Happer's Comet (Tyler Taormina, U.S.) [m] [W/O] (0:40)
-After Work (Céline Condorelli and Ben Rivers, U.K.) [s]
-Welcome (Jean-Claude Rousseau, France) [s]
-Surface Rites (Ryan Ferko, Faraz Anoushahpor, and Parastoo Anoushahpor, Canada / Iran) [s]
-Word (Beata Parkanová, Czechia / Slovakia / Poland)
-Hit the Road (Panah Panahi, Iran)
-The Bob's Burgers Movie (Loren Bouchard and Bernard Derriman, U.S.)
-The Unstable Object II (Daniel Eisenberg, U.S. / Germany / France / Turkey)
-It Is Night in America (Ana Vaz, Italy / Brazil / France) [m]
-Mother and Son (Léonor Serraille, France)
Elvis (Baz Luhrmann, U.S. / Australia)
-Against Time (Ben Russell, France) [s]
-A Thousand Years Ago (Edgar Jorge Baralt, U.S.) [s]
-Luminae (Dominic Angerame, U.S.) [s]
-That Kind of Summer (Denis Côté, Canada)
-I Thought the World of You (Kurt Walker, Canada) [s]
-Eadweard Muybridge, Zoopraxographer (Thom Andersen, U.S., 1974) [m]
-Riotsville, USA (Sierra Pettengill, U.S.)
-Fluid Dynamics: Steady Flow (Maximilien Luc Proctor, U.S. / France) [s]
-F1ghting Looks Different 2 Me Now (Fox Maxy, Mesa Verde Reservation / U.S.) [s]
-Blood Materials (Fox Maxy, Mesa Verde Reservation / U.S.) [s] [note: the title is rendered in emojis I cannot duplicate on this site]
-Muzzles Off (Fox Maxy, Mesa Verde Reservation / U.S., 2018) [s]
-XCXHXEXRXRXIXEXSX (Ken Jacobs, U.S., 1980 / 2021)
-When There Is No More Music to Write, and Other Roman Stories (Éric Baudelaire, France / Italy) [m]
-By Pain and Rhyme and Arabesques of Foraging: Exploded Petrarchan Sonnet No. 4 (David Gatten, U.S., 2013) [s]
-A Summer's Tale (Éric Rohmer, France, 1996)
AUGUST
-After Blue (Dirty Paradise) (Bertrand Mandico, France)
-Talking About the Weather (Annika Pinske, Germany)
-M*U*S*H (Jodie Mack, U.S.) [s]
-Pigment-Dispersion Syndrome (Jennifer Todd Reeves, U.S.) [s]
-shadow swells (Karissa Hahn, U.S.) [s]
-At the Edge of the Curtain (Antoinette Zwirchmayr, Austria) [s]
-Object Permanence (Alix Blevins, U.S.) [s]
-Skinship (Mike Holboom, Canada) [s]
/-Against Time (Ben Russell, France) [s]
-Too Many Ways to Be No. 1 (Wai Ka-fai, Hong Kong, 1997)
-Gush (Fox Maxy, Mesa Grande Reservation / U.S.) [m]
-California Girls (Fox Maxy, Mesa Grande Reservation / U.S., 2019) [s]
-Stone Turtle (Woo Ming Jin, Malaysia / Indonesia)
-Tommy Guns (Carlos Conceição, Angola / France / Portugal)
-The Passengers of the Night (Mikhäel Hers, France)
/-Maat (Fox Maxy, Mesa Verde Reservation / U.S.) [m]
/-Blood Materials (Fox Maxy, Mesa Verde Reservation / U.S.) [s]
/-F1ghting Looks Different 2 Me Now (Fox Maxy, Mesa Verde Reservation / U.S.) [s]
-The Adventures of Gigi the Law (Alessandro Comodin, Italy / France / Belgium)
-Fairytale (Aleksandr Sokurov, Russia)
-India Song (Marguerite Duras, France, 1975)
-La Jauría (Andrés Ramirez Pulido, Colombia / France)
-Hors-Titre (Wiame Haddad, France) [s]
-urban solutions (Arne Hector, Vinicius Lopes, Luciana Mazeto, Minze Tummescheit, Brazil / Germany) [m]
-Four Nights of a Dreamer (Robert Bresson, France, 1971)
-NE Corridor (Joshua Gen Solondz, U.S.) [s]
-The Day Lives Briefly Unscented (Brandon Wilson, U.S.) [s]
-Puncture (Carleen Maur, U.S.) [s]
-Under the Fig Trees (Erige Sehiri, Tunisia / France / Switzerland / Germany / Qatar)
-Self-Portrait as a Coffee Pot (parts 1-3) (William Kentridge, South Africa / U.S.)
-Paradiso, XXXI, 118 (Kamal Aljafari, Palestine / Germany) [s]
-Horse Opera (Moyra Davie, U.S.)
-Flux Gourmet (Peter Strickland, U.K. / Hungary / U.S.)
\-Hunt (Lee Jung-jae, South Korea)
-Light Signal (Emily Chao, U.S.) [s]
-What Rules the Invisible (Tiffany Sia, U.S. / Hong Kong) [s]
-Up Close (Sam Gurry, U.S.) [s]
-Sea of Sighs (J.M. Martínez, U.S.) [s]
/-Color Prism Suite #2: Withering Ends (Zach Parrinella, U.S.) [s]
-Squish! (Tulapop Saenjaroen, Thailand / Singapore) [s]
-III (Alexandre Larose, Argentina/ Canada) [s]
-Shashin no Ma (Tetsuya Maruyama, Japan) [s]
-Underground Rivers (Simón Vélez, Colombia) [s]
-Configurations (James Edmonds, Germany / U.K.) [s]
SEPTEMBER
-A Perfect Storm (Karel Doing, Netherlands) [s]
-Mnemonics of Shape and Reason (Sky Hopinka, Ho-Chunk Nation / U.S.) [s]
/-M*U*S*H (Jodie Mack, U.S.) [s]
-Solace (Chantal Partamian, Lebanon) [s]
-irradiance (Ramey Newell, Canada, 2019) [s]
-death by fantasies by mirrors (Charlotte Clermont, Canada) [s]
-Autoimmune (Marcos Serafim, U.S.) [s]
-A Valley Without Trees (Janelle VanderKelen, U.S.) [s]
-Curve the Night Sky (Peggy Ahwesh, U.S.) [s]
-Looking Backward (Ben Balcom, U.S.) [s]
-Paper Bag Test (Trevon Jakaar Coleman, U.S.) [s]
-Holiday (Azucena Lozana, Argentina / Brazil / Mexico) [s]
-Madness Remixed (Rhea Storr, U.K.) [s]
-Patent 1,571,148 (Kevin Jerome Everson, U.S.) [s]
-Singing in Oblivion (Eve Heller, Austria) [s]
-Berlin Fire (Pedro Maia, Germany / Portugal) [s]
/-Time Crystals (Abinadi Meza, U.S.) [s]
-Microcosmos (Takashi Makino, Japan) [s]
-High Heel Beloved (Leslie Thornton, U.S.) [s]
-Sometimes a little Sin is good for the Soul (Alex Beriault, Canada) [s]
-The Girl Who Is (Sara Sowell, U.S.) [s]
-Dans les Cieux et Sur la Terra (Erin Weisgerber, Canada) [s]
-Of This Beguiling Membrane (Charlotte Pryce, U.S.) [s]
-La mia Camera (Friedl vom Gröller, Austria, 2019) [s]
-Das Rad (Friedl vom Gröller, Austria) [s]
-Ertrunken (Friedl vom Gröller, Austria) [s]
-SEAM (Sheri Wills, U.S.) [s]
/-Object Permanence (Alix Blevins, U.S.) [s]
-Alone Sleeps the Water, Frozen She Awakes (Sofía Petersen, Argentina) [s]
-from time without beginning (Lorenzo Gattorna, U.S. / India) [s]
-Moire / Écume (Maxime Hot, France) [s]
-Oh, Butterfly! (Sylvia Schedelbauer, Germany / Japan / U.S.) [s]
-In the Beginning, Woman Was the Sun (Sylvia Schedelbauer, Germany / Japan / U.S.) [s]
-Falcon Lake (Charlotte Le Bon, Canada / France)
-My Imaginary Country (Patricio Guzmán, Chile / France)
-Domingo and the Mist (Ariel Escalante, Costa Rica / Qatar)
-Broker (Hirokazu Kore-eda, South Korea)
-Leonor Will Never Die (Martika Ramirez Escobar, Philippines)
-Joyland (Saim Sadiq, Pakistan)
-The Box [music video for Orbital] (Jes Benstock and Luke Losey, U.K., 1996) [s]
-Subtraction (Mani Haghighi, Iran)
-Bigger On the Inside (Angelo Madsen Minax, U.S.) [s]
-Moonrise (Vincent Grenier, U.S. / Canada) [s]
-Puerta a puerta (Jessica Sarah Rinland and Luis Arnías, U.S. / Mexico / Venezuela) [s]
/-The Newest Olds (Pablo Mazzolo, Argentina / U.S. / Canada) [s]
-Tora's Husband (Rima Das, India)
-The Time That Separates Us (Parastoo Anoushahpour, Jordan / Palestine / Canada) [m]
-Viking (Stéphane Lafleur, Canada)
-Unrest (Cyril Schäublin, Switzerland)
-Concrete Valley (Antoine Bourges, Canada)
/-All Too Well: The Short Film (Taylor Swift, U.S.) [s]
-EVENTIDE (Sharon Lockhart, U.S. / Sweden) [m]
-Dry Ground Burning (Adirley Queirós and Joana Pimenta, Brazil / Portugal)
-Do Revenge (Jennifer Katyin Robinson, U.S.)
-You Have to Come and See It (Jónas Trueba, Spain) [m]
-Blind Date (Jan Soldat, Germany) [s]
-Three Thousand Years of Longing (George Miller, Australia / U.S.)
-untitled (2022 Viennale trailer) (Narcisa Hirsch, Argentina / Austria) [s]
-Walden (2022 Viennale trailer) (Ryusuke Hamaguchi, Japan / Austria) [s]
-untitled (2022 Viennale trailer) (Nina Menkes, U.S. / India / Austria) [s]
/-Nature (Artavazd Peleshian, Armenia / France / Germany) [m]
-gewesen sein wird / will have been (Sasha Pirker, Austria) [s]
-Portraits (Narcisa Hirsch, Argentina, 1974) [s]
-Offering (Claudio Caldini, Argentina, 1978) [s]
-Simulacro (Claudio Caldini, Argentina, 1990) [s]
-4:3 (Claudio Caldini, Argentina, 2010) [s]
-Lungta (Alexandra Cuesta, Mexico / Ecuador) [s]
-ul-Umra (Guatam Valluri, India / France) [s]
-The Demands of Ordinary Devotion (Eva Giolo, Italy) [s]
-Stonewalling (Ryuji Otsuka and Huang Ji, China / Japan)
-Flora (Nicolás Pereda, Mexico) [s]
-Exhibition (Mary Helena Clark, U.S.) [s]
OCTOBER
-Confess, Fletch (Greg Mottola, U.S.)
-The Dam (Ali Cherri, Sudan / France / Germany / Serbia)
-Bad Words (Jason Bateman, U.S., 2013)
-A Short Story (Bi Gan, China) [s]
-Three Tidy Tigers Tied a Tie Tighter (Gustavo Vinagre, Brazil)
-Postlude (Riger Deutsch, Hungary) [s]
-Human Flowers of Flesh (Helena Wittmann, Germany / France)
-Aftersun (Charlotte Wells, U.K.)
-The Following Images Never Happened (Noé Grenier, France) [s]
-Nobody's Hero (Alain Guiraudie, France)
-Class Participation (Esther Shatavsky, U.S., 1978) [s]
-After Dinner Science (Esther Shatavsky, U.S., 1978) [s]
-Fishs Eddy (Esther Shatavsky, U.S., 1978) [s]
-Stars at Noon (Claire Denis, France / U.S.)
-A Woman Escapes (Sofia Bohdanowicz / Burak Çevik / Blake Williams, Canada / France / Turkey)
-Detective vs. Sleuths (Wai Ka Fai, Hong Kong)
-Le Soldat (2022 Viennale trailer) (Claire Denis, France / Austria) [s]
-Vienna Waltz (2022 Viennale trailer) (Albert Serra, Spain / Austria) [s]
-Independence Day (2022 Viennale trailer) (Sergei Loznitsa, Ukraine / Austria) [s]
-But Why? (2021 Viennale trailer) (Terence Davies, U.K. / Austria) [s]
-Heliotrope (Janie Geiser, U.S.) [s]
-Decision to Leave (Park Chan-wook, South Korea)
NOVEMBER
-Corsage (Marie Kreutzer, Austria / Germany / Luxembourg / France)
-Nope (Jordan Peele, U.S. / Japan)
/-Color Prism Suite #2: Withering Ends (Zack Parrinella, U.S.) [s]
/-NE Corridor (Joshua Gen Solondz, U.S.) [s]
/-The Sky's In There (Dani and Sheilah ReStack, U.S. / Canada) [s]
/-Heron 1954-2002 (Alexis McCrimmon, U.S.) [s]
-Causeway (Lila Neugebauer, U.S. / Finland)
-100 Ways to Cross the Border (Amber Bemak, Mexico / U.S.)
-45th Parallel (Lawrence Abu Hamdan, Canada / U.K. / U.S.) [s]
-Slaughterhouses of Modernity (Heinz Emigholz, Germany)
/-The Kingdom [series one] (Lars von Trier / Morten Arnfred, Denmark, 1994)
-The Kingdom [series two] (Lars von Trier / Morten Arnfred, Denmark, 1997)
-Mutzenbacher (Ruth Beckermann, Austria)
/Light Signal (Emily Chao, U.S.) [s]
/Heron 1954-2002 (Alexis McCrimmon, U.S.) [s]
/um-Ulra (Gautam Valluri, France / India) [s]
/Object Permanence (Alix Blevins, U.S.) [s]
/Color Prism Suite #2: Withering Ends (Zack Parrinella, U.S.) [s]
/NE Corridor (Joshua Gen Solondz, U.S.) [s]
/The Sky's In There (Dani and Sheilah ReStack, U.S. / Canada) [s]
/Lungta (Alexandra Cuesta, Mexico / Ecuador) [s]
/The Demands of Ordinary Devotion (Eva Giolo, Belgium / Italy) [s]
-The Kingdom: Exodus (Lars von Trier, Denmark / Sweden / Belgium)
-Holy Spider (Ali Abbasi, Denmark / France / Sweden / Germany)
-TÁR (Todd Field, U.S.)
-Devil's Peak (Simon Liu, Hong Kong / U.S. / U.K.) [m]
-Tori and Lokita (Jean-Pierre and Luc Dardenne, Belgium / France)
-Later (Helena Wittmann, Germany, 2015) [s]
-Anthony McCall: Crossing the Elbe (Helena Wittmann and Tim Liebe, Germany, 2015) [s]
-Circling (Helena Wittmann, Germany, 2010) [s]
-The Wild (Helena Wittmann, Germany, 2013) [s]
/-21.3°C (Helena Wittmann, Germany, 2014) [s]
/-Ada Kaleh (Helena Wittmann, Germany, 2018) [s]
/-Drift (Helena Wittmann, Germany, 2017)
/-TÁR (Todd Field, U.S.)
-EO (Jerzy Skolimowski, Poland / Italy)
-Chyme (Brandon Wilson, U.S.) [s]
-EXT (Kyle Canterbury, U.S., 2009) [s]
-Black Hole Space Debt (Stephen Wardell, U.S.) [s]
-18 Videos: #15 (Kyle Canterbury, U.S., 2006) [s]
Glass Onion (Rian Johnson, U.S.)
DECEMBER
-Rewind and Play (Alain Gomis, France / Germany / Lebanon) [m]
-Through the Olive Trees (Abbas Kiarostami, Iran / France, 1994)
A Couple (Frederick Wiseman, U.S. / France) [m]
-The Inspection (Elegance Bratton, U.S.)
-The Kegelstatt Trio (Rita Azevedo Gomes, Portugal / Spain)
-Skinamarink (Kyle Edward Ball, Canada)
-Girl Picture (Alli Haapasalo, Finland)
-The Potemkinists (Radu Jude, Romania) [s]
-Last Screening (Darezhan Omirbayev, Kazakhstan / Kyrgyzstan) [s]
-Nanny (Nikyatu Jusu, U.S.)
-The Maiden (Graham Foy, Canada)
-Triangle of Sadness (Ruben Östlund, Denmark / France / Germany / Greece / Mexico / Sweden / Turkey / U.K. / U.S.)
-Close (Lukas Dhont, Belgium / France / Netherlands)
-Surrounded by Colors We Could No Longer See (Abinadi Meza, U.S. / Mexico) [s]
-Black Box Recorder (Abinadi Meza, U.S. / Mexico) [s]
-Hour Between Dog and Wolf (Abinadi Meza, U.S. / Mexico) [s]
-All the Beauty and the Bloodshed (Laura Poitras, U.S.)
-L.A. in My Mind (O. Funmilayo Makarah, U.S., 2006) [s]
-The Whale (Darren Aronofsky, U.S.)
-Darkness, Darkness, Burning Bright: Prelude (Gaëlle Rouard, France) [m]
-Darkness, Darkness, Burning Bright: Oraison (Gaëlle Rouard, France) [m]
-Instant Life (Anja Dornieden, Juan David González Monroy, Andrew Kim, Germany) [s]
-Dos Estaciones (Juan Pablo González, Mexico)
-Bouquets 31-40 (Rose Lowder, France, 2015-2022) [s]
-Notebook From 22 (Nick Collins, U.K.) [s]
-Aipeia (Nick Collins, U.K.) [s]
-The Fabelmans (Steven Spielberg, U.S.)
-Armageddon Time (James Gray, U.S. / Brazil)
-Framing Agnes (Chase Joynt, Canada)
-Touki-Bouki (Djibril Diop Mambéty, Senegal, 1973)
-Return to Seoul (Davy Chou, France / South Korea / Belgium / Cambodia / Germany / Qatar / Romania)
-The Banshees of Inisherin (Martin McDonagh, Ireland / U.K. / U.S.)
-Saint Omer (Alice Diop, France)
-The Eternal Daughter (Joanna Hogg, U.K.)
-Safe Place (Juraj Lerotić, Croatia / Slovenia)
-Top Gun: Maverick (Joseph Kosinski, U.S.)
-White Noise (Noah Baumbach, U.S. / U.K.)
2022 was gibberish, but high quality gibberish.