FILMS SEEN, 2022

(- seen on video or streaming; / repeat viewing; [p] paracinema (installation, etc.); [s] short, under 30 minutes; [m] medium length, 30-69 min; * grade changed upon repeat viewing; \ repeat viewing of something I walked out of or fell asleep during)

 

[Click here to go to the bottom of the list.]

 

JANUARY

/-Sorrows (Gregory J. Markopolous, U.S. / Greece, 1969) [s]
-Lovemaking (Stan Brakhage, U.S., 1968) [s]
-Free, White and 21 (Howardina Pindell, U.S., 1980) [s]
-Eternal Beach (Nisi Jacobs, U.S.)
-What Do We See When We Look at the Sky? (Alexandre Koberidze, Germany / Georgia)
-A River Runs, Turns, Erases, Replaces (Zhu Shengze, U.S.)
-Janie's Janie (Geri Ashur / Peter Barton, U.S., 1971) [s]
-Wall (Takashi Ito, Japan, 1987) [s]
-Unclenching the Fists (Kira Kovalenko, Russia)
-Happening (Audrey Diwan, France)
-You Could Have Seen the Mona Lisa (Doug Dillaman, U.S. / New Zealand) [s]
-The Lost Daughter (Maggie Gyllenhaal, Greece / U.K. / U.S.)
-Simone Barbès or Virtue (Marie-Claude Treilhou, France, 1980)
\-Suzanna Andler (Benoît Jacquot, France)
-A Floating World (Jean-Claude Rousseau, France) [m]
-Picasso in Vallauris (Peter Nestler, Germany) [m]
-What's Up Doc? (Peter Bogdanovich, U.S., 1972)
/-Light Licks: Pardes: Counting Flowers on the Wall (Saul Levine, U.S., 2018) [s]
-of and from (Nick Collins, U.K.) [s]
-Willi Tobler and the Decline of the 6th Fleet (Alexander Kluge, West Germany, 1972)
-Belle (Mamoru Hosoda, Japan)
-Either or Neither (Daniel Barnett, U.S.)
-The Heartbreak Kid (Elaine May, U.S., 1972)
-A Hero (Asghar Farhadi, Iran / France)
-Altitude Zero (Lauren Cook, U.S., 2004) [s]
-PXXXL (Lauren Cook, U.S., 2012) [s]
-Trans/Figure/Ground (Lauren Cook, U.S., 2016) [s]
-El Planeta (Amalia Ulman, Argentina / Spain / U.S.)
/-The Arrival of the Train at La Ciotat (Auguste and Louis Lumière, France, 1895) [s]
/-Demolition of a Wall (Auguste and Louis Lumière, France, 1895) [s]
/-Necrology (Standish Lawder, U.S., 1970) [s]
/-The Girl Chewing Gum (John Smith, U.K., 1976) [s]
/-Report (Bruce Conner, U.S., 1967) [s]
/-SkateBang (Damon Packard, U.S. / U.K., 2007) [s]
-Fat City (John Huston, U.S., 1972)
-The Tale of King Crab (Alessio Rigo de Righi / Matteo Zoppis, Argentina / France / Italy)
/-passage à l'acte (Martin Arnold, Austria, 1993) [s]
/-Psalm III: Night of the Meek (Phil Solomon, U.S., 2002) [s]
/-The Woolworths Choir of 1979 (Elizabeth Price, U.K., 2012) [s]
/-Pony Glass (Lewis Klahr, U.S., 1997) [s]
/-Traces / Legacy (Scott Stark, U.S., 2015) [s]
-Encanto (Byron Howard / Jared Bush, U.S.)

FEBRUARY
-Glass Life (Sara Cwynar, U.S. / Canada) [s]
-Punctured Sky (Jon Rafman, Canada) [s]
-Becoming Male in the Middle Ages (Pedro Neves Marques, Portugal) [s]
-The Olive Trees of Justice (James Blue, Algeria, 1962)
-Impersonator (Andrew Norman Wilson, U.S.) [s]
-Rhythm Trail (Malena Szlam, Canada, 2011) [s]
-Movement and Stillness (James Edmonds, Germany, 2015) [s]
-Eami (Paz Encina, Paraguay / France / Germany / Mexico / Netherlands / U.S.)
-The African Desperate (Martine Sims, U.S.)
/-Ballet Mécanique (Fernand Léger and Dudley Andrew, France, 1924) [s]
/-The Man With the Movie Camera (Dziga Vertov, U.S.S.R., 1929) [m]
/-Bicycle Thieves (Vittorio de Sica, Italy, 1948)
-Pasadena Freeway Stills (Gary Beydler, U.S., 1974) [s]
-Expedition Content (Ernst Karel and Veronika Kusumaryati, U.S.)
-Splendid Isolation (Urszula Antoniak, Netherlands)
-Answering the Sun (Rainer Kohlberger, Austria / Germany) [m]
-Cow (Andrea Arnold, U.K.)
-Sea Series 23 (John Price, Canada) [s]
/-Plumb Line (Carolee Schneemann, U.S., 1971) [s]
-I Want You Back (Jason Orley, U.S.)
-When We Were Monsters (Steve Reinke and James Richards, U.K.) [s]
-The Newest Olds (Pablo Mazzolo, Argentina / Canada) [s]
-I Miss Sonia Henie (Miloš Forman / Buck Henry / Dušan Makavejev / Paul Morrissey / Tinto Brass / Frederick Wiseman / Mladomir Djordjevic / Karpo Godina, Yugoslavia, 1971) [s]
/-Rose Hobart (Joseph Cornell, U.S., 1936) [s]
/-Return to Reason (Man Ray, France, 1923) [s]
/-Meshes of the Afternoon (Maya Deren and Alexander Hammid, U.S., 1943) [s]
/-Un Chien Andalou (Luis Buñuel, France, 1929) [s]
-Whale Watch (1) (Joseph Bernard, U.S., 1981) [s]
-Station II (Michael Hubbard, U.S.) [s]
-What Distinguishes the Past (Ben Russell, U.S.) [s]
-2020 (Friedl vom Gröller, Austria) [s]
-Boys Beware (Eden Poag, U.S.) [s]
-Melting (Thom Andersen, U.S., 1965) [s]
-L'autre Scène (Dominque Avron / Guy Fihman / Claudine Eizykman / Jean-Francois Lyotard, France, 1969) [s]
-The United States of America (James Benning, U.S.)
-Enough Praying (Aldo Francia, Chile, 1972)
-Triforium (Jayne Parker, U.K.) [s]
-Medicine Bundle (Thirza Cuthand, Canada) [s]
-No Sell Out (Tony Cokes, U.S., 1995) [s]
-Coma (Bertrand Bonello, France)
/-All My Life (Bruce Baillie, U.S., 1966) [s]
/-Mario Banana I (Andy Warhol, U.S., 1964) [s]
/-Fog Line (Larry Gottheim, U.S., 1970) [s]
/-Time and Tide (Peter Hutton, U.S., 2000) [m]
-The Sower of Stars (Lois Patiño, Spain) [s]
-A Little Love Package (Gastón Solnicki, Argentina / Austria)
-Kimi (Steven Soderbergh, U.S.)
-Nitram (Justin Kurzel, Australia)
-VS (Lydia Nsiah, Austria) [s]
-Fire Emergencies (Kevin Jerome Everson, U.S.) [s]
-Kicking the Clouds (Sky Hopinka, Ho-Chunk / Luiseño) [s]
-Notes, Imprints (On Love): Part II, Carmela (Alexandra Cuesta. Ecuador / U.S.) [s]
-Partial Differential Equation (Kevin Jerome Everson, U.S.) [s]
-Missing Time (Morgan Quaintance, U.K., 2019) [s]
-Mass of Images (Ulysses Jenkins, U.S., 1978) [s]
-seeing her (Lindsay McIntyre, Canada) [s]
/-Cat's Cradle (Stan Brakhage, U.S., 1959) [s]
/-Window Water Baby Moving (Stan Brakhage, U.S., 1959) [s]
/-Mothlight (Stan Brakhage, U.S., 1963) [s]
/-Eye Myth (Stan Brakhage, U.S., 1977) [s]

/-The Hedge Theater (Robert Beavers, Italy/ Switzerland, 2003) [s]

 

MARCH

-Private Imaginings and Narrative Facts (Edward Owens, U.S., 1968) [s]

/-Associations (John Smith, U.K., 1975) [s]

/-No.3: Interwoven (Harry Smith, U.S., 1947) [s]

/-No. 2: Message From the Sun (Harry Smith, U.S., 1947) [s]

/-No. 10 (Harry Smith, U.S., 1956) [s]

/-Valse Triste (Bruce Conner, U.S., 1977) [s]

/-Very Nice Very Nice (Arthur Lipsett, Canada, 1961) [s]

/-Nice Biscotts #1 (Luther Price, U.S., 2005) [s]

/-Labor of Love (Sylvia Schedelbauer, Germany) [s]

/-Love Is the Message, the Message Is Death (Arthur Jafa, U.S., 2016) [s]

-The Severing (Mark Pellington, U.S.) [W/O] (0:30)

-Everything Went Fine (François Ozon, France)

-The Adam Project (Shawn Levy, U.S.)

-After Yang (Kogonada, U.S.)

-Turning Red (Domee Shi, U.S.)

-Lingui, the Sacred Bonds (Mahamet-Saleh Haroun, Chad / France / Belgium / Germany)

-Three Floors (Nanni Moretti, Italy / France)

-Losing Ground (Kathleen Collins, U.S., 1982)

-Deep Water (Adrian Lyne, U.S.)

-Master (Mariama Diallo, U.S.)

-Jackass Forever (Jeff Tremaine, U.S.)

-Apotheosis (John Lennon and Yoko Ono, U.K., 1970) [s]

/-Love Is the Message, the Message Is Death (Arthur Jafa, U.S., 2016) [s]

/-Unsere Afrikareise (Peter Kubelka, Austria, 1966) [s]

/-My Name Is Oona (Gunvor Nelson, U.S., 1969) [s]

/-Mutiny (Abigail Child, U.S., 1982) [s]

/-SkateBang (Damon Packard, U.S. / U.K., 2007) [s]

/-Light Is Waiting (Michael Robinson, U.S., 2007) [s]

-Azor (Andreas Fontana, Argentina / France / Switzerland)

/-If Beale Street Could Talk (Barry Jenkins, U.S., 2018)

-CODA (Siân Heder, U.S. / France)

 

APRIL

-The Novelist's Film (Hong Sangsoo, South Korea)

-The Cathedral (Ricky D'Ambrose, U.S.)

-Instructions on How to Make a Film (Nazli Dinçel, U.S., 2018) [s]

/-Cityscape (Michael Snow, Canada, 2019) [s]

/-Hapax Legomena I: (nostalgia) (Hollis Frampton, U.S., 1971) [m]

/Vertical Roll (Joan Jonas, U.S., 1972) [s]

-Pirated! (Nguyen Tam Hoang, U.S., 2000) [s]

-Nine Behind (Sophy Romvari, Canada, 2016) [s]

-Grandma's House (Sophy Romvari, Canada, 2018) [s]

-The City and the City (Christos Passalis and Syllas Tzoumerkas, Greece / Germany / U.S.)

-The Round-Up (Miklós Jancsó, Hungary, 1966)

/-T,O,U,C,H,I,N,G (Paul Sharits, U.S., 1969) [s]

/-Spacy (Takashi Ito, Japan, 1981) [s]

/-Remedial Reading Comprehension (George Landow, U.S., 1970) [s]

/-( ) (Morgan Fisher, U.S., 2003) [s]

-Agnus Dei (Miklós Jancsó, Hungary, 1971)

/-Variations on a Cellophane Wrapper (David Rimmer, Canada, 1970) [s]

-Once Upon a Time in Calcutta (Aditya Vikram Sengupta, India / France / Norway) [W/O] (0:42)

-The Wilkinson Household Fire Alarm (Morgan Fisher, U.S., 1973) [s]

-The Red Thread (Larry Gottheim, U.S., 1987) [s]

-Feathers (Omar El Zohairy, Egypt / France / Netherlands / Greece)

-Fabian: Going to the Dogs (Dominik Graf, Germany)

/-Dyketactics (Barbara Hammer, U.S., 1974) [s]

-No No Nooky T.V. (Barbara Hammer, U.S., 1987) [s]

-Pilgrims (Laurynas Bareiša, Lithuania) [W/O] (0:41)

-Robe of Gems (Natalia López Gallardo, Mexico / Argentina / U.S.)

-Intimate Confessions of a Chinese Courtesan (Chor Yuen, Hong Kong, 1972)

-Hot in Day, Cold at Night (Park Song-yeol, South Korea) [W/O] (0:34)

/-Jollies (Sadie Benning, U.S., 1990) [s]

-The Red and the White (Miklós Jancsó, Hungary, 1967)

-Gilbert and George (Gregory J. Markopoulos, France / Switzerland, 1975) [s]

-Shared Table (Robert Beavers, Germany / U.S., 2016) [s]

 

MAY

-Red Psalm (Miklós Jancsó, Hungary / U.S.S.R., 1972)

-Silence and Cry (Miklós Jancsó, Hungary, 1968)

-Electra, My Love (Miklós Jancsó, Hungary, 1974)

/-Something Between Us (Jodie Mack, U.S., 2015) [s]

/-Pelourinho, They Don't Really Care About Us (Akosua Adoma Owusu, Brazil / Germany / Ghana, 2019) [s]

/-Kindah (Ephraim Asili, U.S. / Jamaica, 2016) [s]

/-Ears, Nose and Throat (Kevin Jerome Everson, U.S., 2016) [s]

-Sundown (Michel Franco, Mexico / France / Sweden)

-The Tragedy of Macbeth (Joel Coen, U.S.)

-Vampyr (Carl Theodor Dreyer, Germany / France, 1932)

-X (Ti West, U.S. / Canada)

-Memory Playthrough (Sim Hahahah, U.S.) [s]

-Global Fruit (G. Anthony Svatek, U.S.) [s]

-Contour (Fabio Andrade, Brazil) [s]

/-That Was When I Thought I Could Hear You (Matt Whitman, U.S.) [s]

/-Wasteland No. 3: Moons, Sons (Jodie Mack, U.S.) [s]

-Alive in Death (Maliyamungu Muhande, U.S.) [s]

-D'Homme A Homme (Yashaddai Owens, U.S.) [s]

-A Vessel, The Ideas Pass Through (Linnea Nugent, U.S.) [s]

-She Gather Me (Miatta Kawinzi, U.S.) [s]

/-Wide Angle Saxon (Owen Land, U.S., 1975) [s]

-Vecino Vecino (Camila Galaz, Chile) [s]

-open sky / open sea / open ground (Martín Baus and Libertad Gills, Ecuador) [s]

-Golden Jubilee (Suneil Sanzgiri, India / U.S.) [s]

-Condition / Decondition (Jason Osder, U.S.) [s]

-Tropicollage (Astria Suparak, U.S.) [s]

-Heron 1954-2002 (Alexis McCrimmon, U.S.) [s]

-Upwards Tide (Daniela Zahlner, U.S. / Germany) [s]

-Apollo 10 1/2: A Space Age Childhood (Richard Linklater, U.S. / Netherlands) [W/O] (0:30)

-Fresh (Mimi Cave, U.S.)

Vortex (Gaspar Noé, France / Belgium / Monaco)

-The Innocents (Eskil Vogt, Norway / Denmark / Finland / Sweden) [W/O] (0:30)

-Terminals (Sandra Lahire, U.K., 1986) [s]

-Master of the House (Carl Theodor Dreyer, Denmark, 1925)

-The Northman (Robert Eggers, U.S. / China)

-Paris, 13th District [Les Olympiades] (Jacques Audiard, France)

-Pleasure (Ninja Thyberg, Sweden / Netherlands / France)

-Magdala (Damien Manivel, France)

-The Mountain (Thomas Salvador, France)

-Hunt (Lee Jung-jae, South Korea) [W/O] (0:34)

-The Night of the 12th (Dominik Moll, France / Belgium)

-A Chiara (Jonas Carpignano, Italy / France / Sweden)

-Harkis (Philippe Faucon, France / Belgium)

-Will-o'-the-Wisp (João Pedro Rodrigues, Portugal / France) [m]

-Michael (Carl Theodor Dreyer, Germany, 1924)

 

JUNE

-Two People (Carl Theodor Dreyer, Sweden, 1945)

/Reckless Eyeballing (Christopher Harris, U.S., 2004) [s]

/Sunshine State (Extended Forecast) (Christopher Harris, U.S., 2007) [s]

/28.IV.81 (Bedouin Spark) (Christopher Harris, U.S., 2009) [s]

A Willing Suspension of Disbelief + Photography and Fetish (Christopher Harris, U.S., 2014) [s]

/Halimuhfack (Christopher Harris, U.S., 2016) [s]

/Dreams Under Confinement (Christopher Harris, U.S.) [s]

-Bruges (Jim Jennings, U.S., 2006) [s]

-Canal Cinema (Jim Jennings, U.S., 1993) [s]

-Chambers (Jim Jennings, U.S., 1978) [s]

-Made in Chinatown (Jim Jennings, U.S., 2006) [s]

/-Close Quarters (Jim Jennings, U.S., 2004) [s]

-Clothesline (Jim Jennings, U.S., 1977) [s]

-Counterpane (Jim Jennings, U.S., 1979) [s]

-Day Dream (Jim Jennings, U.S., 2001) [s]

-Dispatch (Jim Jennings, U.S., 1979) [s]

-Edge (Jim Jennings, U.S., 1972) [s]

/-Bye Bye Bob (Jim Jennings, U.S., 1990) [s]

-Elements (Jim Jennings, U.S., 2002) [s]

-Fashion Avenue (Jim Jennings, U.S., 2007) [s]

/-Watch the Closing Doors (Jim Jennings, U.S., 2012) [s]

-The Minibike Ride (Jim Jennings, U.S., 1969) [s]

/-Horizons (Larry Gottheim, U.S., 1973)

-Capybara Walking (Eadweard Muybridge, U.S., 1887) [p/s]

-Wall Street (Jim Jennings, U.S., 1980) [s]

-Snow Ride (Jim Jennings, U.S., 1972) [s]

-Refraction (Jim Jennings, U.S., 1972) [s]

-Proximity (Jim Jennings, U.S., 1973) [s]

-Reel in Colour #11 (Bruno Delgado Ramo, Spain, 2019) [s]

-Dark Glasses (Dario Argento, Italy / France)

-Fire of Love (Sara Dosa, U.S. / Canada)

/-Made in Chinatown (Jim Jennings, U.S., 2006) [s]

-White Building (Kavich Neang, Cambodia / Qatar / China / France) [W/O] (0:40)

-Candyman (Nia DaCosta, U.S. / Canada)

-Di Humani Corporis Fabrica (Véréna Paravel and Lucien Castaing-Taylor, France / U.S.)

-Train of Thought (Jim Jennings, U.S., 2009) [s]

-South of the Border (Jim Jennings, U.S. / Mexico, 2011) [s]

-Skyscraper (Jim Jennings, U.S., 2001) [s]

/-Silvercup (Jim Jennings, U.S., 1998) [s]

-Jackson Heights (Jim Jennings, U.S., 2010) [s]

-Leaves (Jim Jennings, U.S., 1973) [s]

-Lost and Found (Jim Jennings, U.S., 2013) [s]

-The Tomb of Kafka (Jean-Claude Rousseau, France) [s]

-La collectionneuse (Éric Rohmer, France, 1967)

-Maria Schneider, 1983 (Elisabeth Subrin, U.S. / France) [s]

-The Integrity of Joseph Chambers (Robert Machoian, U.S.)

-The Death of P'town (Ken Jacobs, U.S., 1963) [s]

-Details of Pollock's White Light (Ken Jacobs, U.S., 2018) [s]

-Claire's Knee (Éric Rohmer, France, 1970)

-Both Sides of the Blade (Claire Denis, France / U.K.)

-Prometheus (Dominic Angerame, U.S.) [s]

-Watcher (Chloe Okuno, U.S. / U.A.E.) [W/O] (0:34)

-RRR (S.S. Rajamouli, India)

-Crimes of the Future (David Cronenberg, Canada / Greece)

-My Night at Maud's (Éric Rohmer, France, 1969)

-The Restless (Joachim Lafosse, Belgium / France / Luxembourg)

 

JULY

-Men (Alex Garland, U.K.)

/-Upwards Tide (Daniela Zahlner, U.S. / Germany) [s]

-From the Ground (Anna Marziano, Italy / France) [s]

-The Sky's In There (Dani and Sheilah ReStack, U.S.) [s]

/-Heron 1954-2002 (Alexis McCrimmon, U.S.) [s]

-Leonora Addio (Paolo Taviani, Italy)

-Secrets & Lies (Mike Leigh, U.K., 1996)

-Happer's Comet (Tyler Taormina, U.S.) [m] [W/O] (0:40)

-After Work (Céline Condorelli and Ben Rivers, U.K.) [s]

-Welcome (Jean-Claude Rousseau, France) [s]

-Surface Rites (Ryan Ferko, Faraz Anoushahpor, and Parastoo Anoushahpor, Canada / Iran) [s]

-Word (Beata Parkanová, Czechia / Slovakia / Poland)

-Hit the Road (Panah Panahi, Iran)

-The Bob's Burgers Movie (Loren Bouchard and Bernard Derriman, U.S.)

-The Unstable Object II (Daniel Eisenberg, U.S. / Germany / France / Turkey)

-It Is Night in America (Ana Vaz, Italy / Brazil / France) [m]

-Mother and Son (Léonor Serraille, France)

Elvis (Baz Luhrmann, U.S. / Australia)

-Against Time (Ben Russell, France) [s]

-A Thousand Years Ago (Edgar Jorge Baralt, U.S.) [s]

-Luminae (Dominic Angerame, U.S.) [s]

-That Kind of Summer (Denis Côté, Canada)

-I Thought the World of You (Kurt Walker, Canada) [s]

-Eadweard Muybridge, Zoopraxographer (Thom Andersen, U.S., 1974) [m]

-Riotsville, USA (Sierra Pettengill, U.S.)

-Fluid Dynamics: Steady Flow (Maximilien Luc Proctor, U.S. / France) [s]

-F1ghting Looks Different 2 Me Now (Fox Maxy, Mesa Verde Reservation / U.S.) [s]

-Blood Materials (Fox Maxy, Mesa Verde Reservation / U.S.) [s] [note: the title is rendered in emojis I cannot duplicate on this site]

-Muzzles Off (Fox Maxy, Mesa Verde Reservation / U.S., 2018) [s]

-XCXHXEXRXRXIXEXSX (Ken Jacobs, U.S., 1980 / 2021)

-When There Is No More Music to Write, and Other Roman Stories (Éric Baudelaire, France / Italy) [m]

-By Pain and Rhyme and Arabesques of Foraging: Exploded Petrarchan Sonnet No. 4 (David Gatten, U.S., 2013) [s]

-A Summer's Tale (Éric Rohmer, France, 1996)

 

AUGUST

-After Blue (Dirty Paradise) (Bertrand Mandico, France)

-Talking About the Weather (Annika Pinske, Germany)

-M*U*S*H (Jodie Mack, U.S.) [s]

-Pigment-Dispersion Syndrome (Jennifer Todd Reeves, U.S.) [s]

-shadow swells (Karissa Hahn, U.S.) [s]

-At the Edge of the Curtain (Antoinette Zwirchmayr, Austria) [s]

-Object Permanence (Alix Blevins, U.S.) [s]

-Skinship (Mike Holboom, Canada) [s]

/-Against Time (Ben Russell, France) [s]

-Too Many Ways to Be No. 1 (Wai Ka-fai, Hong Kong, 1997)

-Gush (Fox Maxy, Mesa Grande Reservation / U.S.) [m]

-California Girls (Fox Maxy, Mesa Grande Reservation / U.S., 2019) [s]

-Stone Turtle (Woo Ming Jin, Malaysia / Indonesia)

-Tommy Guns (Carlos Conceição, Angola / France / Portugal)

-The Passengers of the Night (Mikhäel Hers, France)

/-Maat (Fox Maxy, Mesa Verde Reservation / U.S.) [m]

/-Blood Materials (Fox Maxy, Mesa Verde Reservation / U.S.) [s]

/-F1ghting Looks Different 2 Me Now (Fox Maxy, Mesa Verde Reservation / U.S.) [s]

-The Adventures of Gigi the Law (Alessandro Comodin, Italy / France / Belgium)

-Fairytale (Aleksandr Sokurov, Russia)

-India Song (Marguerite Duras, France, 1975)

-La Jauría (Andrés Ramirez Pulido, Colombia / France)

-Hors-Titre (Wiame Haddad, France) [s]

-urban solutions (Arne Hector, Vinicius Lopes, Luciana Mazeto, Minze Tummescheit, Brazil / Germany) [m]

-Four Nights of a Dreamer (Robert Bresson, France, 1971)

-NE Corridor (Joshua Gen Solondz, U.S.) [s]

-The Day Lives Briefly Unscented (Brandon Wilson, U.S.) [s]

-Puncture (Carleen Maur, U.S.) [s]

-Under the Fig Trees (Erige Sehiri, Tunisia / France / Switzerland / Germany / Qatar)

-Self-Portrait as a Coffee Pot (parts 1-3) (William Kentridge, South Africa / U.S.)

-Paradiso, XXXI, 118 (Kamal Aljafari, Palestine / Germany) [s]

-Horse Opera (Moyra Davie, U.S.)

-Flux Gourmet (Peter Strickland, U.K. / Hungary / U.S.)

\-Hunt (Lee Jung-jae, South Korea)

-Light Signal (Emily Chao, U.S.) [s]

-What Rules the Invisible (Tiffany Sia, U.S. / Hong Kong) [s]

-Up Close (Sam Gurry, U.S.) [s]

-Sea of Sighs (J.M. Martínez, U.S.) [s]

/-Color Prism Suite #2: Withering Ends (Zach Parrinella, U.S.) [s]

-Squish! (Tulapop Saenjaroen, Thailand / Singapore) [s]

-III (Alexandre Larose, Argentina/ Canada) [s]

-Shashin no Ma (Tetsuya Maruyama, Japan) [s]

-Underground Rivers (Simón Vélez, Colombia) [s]

-Configurations (James Edmonds, Germany / U.K.) [s]

 

SEPTEMBER

-A Perfect Storm (Karel Doing, Netherlands) [s]

-Mnemonics of Shape and Reason (Sky Hopinka, Ho-Chunk Nation / U.S.) [s]

/-M*U*S*H (Jodie Mack, U.S.) [s]

-Solace (Chantal Partamian, Lebanon) [s]

-irradiance (Ramey Newell, Canada, 2019) [s]

-death by fantasies by mirrors (Charlotte Clermont, Canada) [s]

-Autoimmune (Marcos Serafim, U.S.) [s]

-A Valley Without Trees (Janelle VanderKelen, U.S.) [s]

-Curve the Night Sky (Peggy Ahwesh, U.S.) [s]

-Looking Backward (Ben Balcom, U.S.) [s]

-Paper Bag Test (Trevon Jakaar Coleman, U.S.) [s]

-Holiday (Azucena Lozana, Argentina / Brazil / Mexico) [s]

-Madness Remixed (Rhea Storr, U.K.) [s]

-Patent 1,571,148 (Kevin Jerome Everson, U.S.) [s]

-Singing in Oblivion (Eve Heller, Austria) [s]

-Berlin Fire (Pedro Maia, Germany / Portugal) [s]

/-Time Crystals (Abinadi Meza, U.S.) [s]

-Microcosmos (Takashi Makino, Japan) [s]

-High Heel Beloved (Leslie Thornton, U.S.) [s]

-Sometimes a little Sin is good for the Soul (Alex Beriault, Canada) [s]

-The Girl Who Is (Sara Sowell, U.S.) [s]

-Dans les Cieux et Sur la Terra (Erin Weisgerber, Canada) [s]

-Of This Beguiling Membrane (Charlotte Pryce, U.S.) [s]

-La mia Camera (Friedl vom Gröller, Austria, 2019) [s]

-Das Rad (Friedl vom Gröller, Austria) [s]

-Ertrunken (Friedl vom Gröller, Austria) [s]

-SEAM (Sheri Wills, U.S.) [s]

/-Object Permanence (Alix Blevins, U.S.) [s]

-Alone Sleeps the Water, Frozen She Awakes (Sofía Petersen, Argentina) [s]

-from time without beginning (Lorenzo Gattorna, U.S. / India) [s]

-Moire / Écume (Maxime Hot, France) [s]

-Oh, Butterfly! (Sylvia Schedelbauer, Germany / Japan / U.S.) [s]

-In the Beginning, Woman Was the Sun (Sylvia Schedelbauer, Germany / Japan / U.S.) [s]

-Falcon Lake (Charlotte Le Bon, Canada / France)

-My Imaginary Country (Patricio Guzmán, Chile / France)

-Domingo and the Mist (Ariel Escalante, Costa Rica / Qatar)

-Broker (Hirokazu Kore-eda, South Korea)

-Leonor Will Never Die (Martika Ramirez Escobar, Philippines)

-Joyland (Saim Sadiq, Pakistan)

-The Box [music video for Orbital] (Jes Benstock and Luke Losey, U.K., 1996) [s]

-Subtraction (Mani Haghighi, Iran)

-Bigger On the Inside (Angelo Madsen Minax, U.S.) [s]

-Moonrise (Vincent Grenier, U.S. / Canada) [s]

-Puerta a puerta (Jessica Sarah Rinland and Luis Arnías, U.S. / Mexico / Venezuela) [s]

/-The Newest Olds (Pablo Mazzolo, Argentina / U.S. / Canada) [s]

-Tora's Husband (Rima Das, India)

-The Time That Separates Us (Parastoo Anoushahpour, Jordan / Palestine / Canada) [m]

-Viking (Stéphane Lafleur, Canada)

-Unrest (Cyril Schäublin, Switzerland)

-Concrete Valley (Antoine Bourges, Canada)

/-All Too Well: The Short Film (Taylor Swift, U.S.) [s]

-EVENTIDE (Sharon Lockhart, U.S. / Sweden) [m]

-Dry Ground Burning (Adirley Queirós and Joana Pimenta, Brazil / Portugal)

-Do Revenge (Jennifer Katyin Robinson, U.S.)

-You Have to Come and See It (Jónas Trueba, Spain) [m]

-Blind Date (Jan Soldat, Germany) [s]

-Three Thousand Years of Longing (George Miller, Australia / U.S.)

 

 

 

 

 

(the bottom)